Dear… (A Comprehensive Look At The Most Questionable Moments in Fashion)

As a lover of fashion, I’m well aware the often times, many designers veer into the cringe-worthy territory of problematic life choices. Recently, the Novella team sat down for a brainstorming session on some new weekly pieces we could all bring to the boardroom table. Among the friendly banter and ideas being thrown around, we came up with an interesting concept. Why not call out those within the fashion industry that need a little slap on the wrist. In the end, we came up with the concept of Dear… Where I have the wonderful privilege of being able to discuss (and tear apart) some of fashion’s most epic nose dives for all of our reader’s gossip needs. So without further adieu, here’s fashion’s Hot Goss.

Dear Marc Jacobs…

The question we’re all asking after New York fashion week isn’t whether or not you’re one of the most talented and influential designers in the world, instead, we’re all asking why you seem to focus all of your design talents on making collections that are essentially culturally appropriative marching parades. Don’t get me wrong, you’ve made some jaw-dropping collections in the past. Louis Vuitton Spring 2012, Spring 2003, and Louis Vuitton fall 2011 all come to mind. So I know he has the potential of creating collections that are beyond beautiful, so why is that Mr Jacobs has been insistent on creating collections that take vital aspects of minorities cultures, specifically black traditions and culture. There really is something inappropriate about placing women who aren’t women of colour in dreadlock wigs or 70’s and 80’s Harlem inspired clothing. This subtle borrowing of black cultural without having black designers assist in the design process is just careless in the fact that a designer, no matter how experienced the designer may be, will never know the personal experience of the culture they’re borrowing from unless they were born into that culture or grew up in that culture.

However, Mr Jacobs seems to look past the complaints of those around him and continues to push the boundary on what is acceptable as inspiration and what is full blown appropriation. Recently, for his last show in New York, Jacobs focused all of his design talents on creating a collection fit an elegant woman of colour. Sadly, the collection had only a handful of black women walk the show. Which wouldn’t seem out of the norm in the fashion industry, but it’s extremely unsettling to see so little black women walk a show where the models are dressed in African inspired prints and head wraps that resemble those worn by African and African-American women. Now to some, it may not seem like such a big deal, however, when a show includes models like Kendal Jenner, Gigi Hadid, and Taylor Hill wearing traditionally styled Gele and Ankara headdresses worn by women from countries like Ghana and Nigeria, it becomes extremely problematic because those specific headdresses are seen as foreign and are often gawked at by westerners. But when white models sport them it then becomes fashionable and trendy. The same can be said for his collections that featured heavy hip-hop inspirations and dreadlocks. On one hand, “urban” clothing and dreadlocks are worn by black men and women every day and it’s seen as ghetto and lower class, but when people outside of a traditional black environment decide to grow their hair into dreadlocks or wear clothing heavily inspired by black culture. It then becomes extremely forward thinking and ambitious.

What the moral of this entire gong show is, is that Marc Jacobs should look into the social consequences caused by the appropriation of culture, especially that of black culture in the United States. And then look into the global repercussions of appropriating the cultures of minorities around the world are before creating collections that are culturally and socially insensitive.Remember Mr Jacobs,

Remember Mr Jacobs, black women were laughed at and made the butt of the joke for taking pride and wearing their Gele’s and headwraps in public for decades now. Making them feel as if they shouldn’t be wearing their traditional cultural dress outside of their own country and making them feel shame and embarrassment for doing so. So why make it harder for black women (and all POC who takes pride in dressing in their homeland’s traditional garb) by making them feel as if the one thing they have to take pride on, isn’t even their own anymore. Because someone else can buy and be praised for it, while they get shunned and mocked for it.

Sincerely,

Chris Zaghi