New York seems to be in a peculiar place at the moment. On one hand, you have designers abandoning their spots in the city in exchange for spots in Europe, while other big-name designers have all together left behind the traditional runway shows and opted for lookbooks and presentations, leaving New York in quite the predicament. However, as newcomers flood into New York for a shot at international fame, the electricity that runs through the veins of the city ceases to die out. And in turn, that electricity gives the American fashion community the jolt it’s been needing for the past few seasons.
Cushnie Et Ochs
Cushnie Et Ochs has become a celebrity staple at this point. Every season, Cushnie Et Ochs’s band of loyal silver screen mavens storm red carpets around the globe, showcasing the brand’s body-conscious design. Very rarely will you find someone who can find a fault in the duo’s designs; it’s equal parts delicate and sensual while being headstrong and unapologetically confident. This season was no exception, taking inspiration from Mexican painter Frida Kahlo’s game changing use of gender defiance and self-expression, which fits perfectly with the brand’s narrative: Liberated.
When it comes to making a great collection that’s equal parts wearable and artistic, designers should look no further than using texture and movement in their designs. This season, Solace London proved just that, creating multiple shapes out of the sheer movement of the fabric itself. But rather than just relying on soft fabrics to get a point across, Solace London used tougher materials like PVC, leather, and denim to contrast the fluidity of the silkier materials, creating a confident wardrobe that stays perfectly on trend with whats going on in the fashion world these days. Another pleasant aspect of the show was its colour scheme, which can best be described as a dessert lover’s dream with creamy browns and tart pinks and citrus hues catching the eye right away. The ball heeled mules are a fun little addition as well.
There’s beauty in the ethereal, and designer Ulla Johnson knows that. Fashion these days has branched out into a do anything and be anything industry, which is something to celebrate. But sometimes it’s simplicity and light-as-air design that creates a truly beautiful collection. Think of it as a breather from the sensory overload that often accompanies fashion in this day and age. However, delicateness doesn’t mean weakness for the designer. Instead, the lightness and transparency of the ensembles create a strong sense of self-empowerment and self-aware sensuality that gives a modern twist to the traditional notions of femininity.
Mary-Kate and Ashley Olsen have solidified their brand The Row as one of New York city’s most on trend and important fashion houses of the 21st century. Season after season the twins have pumped out collections that carve out niche spot within the fashion community. Now, clothing from The Row may not be for everyone, and that a good thing. Because The Row was never meant to be a brand that appealed to the mass market. Instead, the brand focuses on amplifying one’s physical beauty with simplicity. Very rarely do you find brands that focus solely on minimalist designs that’s beautiful without the bells and whistles. But that’s exactly what you’ll find at The Row (this season’s collection is no exception) where fluid frocks and coats float across the floor in light and neutral shades, while comfortable silhouettes round out the collection by creating an effortlessness.