A Visit to the new Yorkville restaurant, Figures!

There are two sides to my personality that, for a long time, I figured would stay separate, never the ‘twain shall meet. There is the side that’s always on the lookout for a new restaurant that offers an interesting twist or a perspective on something I’ve already had before, thereby making it refreshingly different; a menu that incorporates multiple tastes, layers, and textures into a complex and delicious whole.

And then there’s the other side of me — a massive sci-fi and comic book geek, developed from very early on when I was growing up. Over time those interests have somewhat subsided. But I have found that I have become quite sentimental about that earlier period of my life, those memories that may seem insignificant to others yet played a large role in making me the person I am today. And remembering such memories or icons with a certain fondness perhaps acts as a reminder not too take oneself too seriously as one ages, and to retain a more positive and care-free attitude. It is that sentiment that clearly comes across when you enter the new Yorkville restaurant Figures, at 137 Avenue Road. The owners Nader and Patrick Marzouk have created an environment that brings a sense of laid-back and vibrant fun to the neighbourhood, — which, frankly, they note that Yorkville is in some need of — while also retaining the refined dining that the neighbourhood residents have surely come to expect. It is the interesting marriage of these sensibilities that will most likely make Figures stand out.

The concept of Figures is simple yet seems exciting and fresh. The idea behind the name points to the importance of remembering the figures in our lives that make us who we are. At Figures, they are most clearly various pop-cultural ones.

Very few images of the interior currently exist either on the main website or on their social media accounts — perhaps a calculated marketing ploy to create an air of mystery surrounding the establishment. This certainly worked for me, for when I entered the restaurant, knowing next-to-nothing as to what to expect, I was immediately overwhelmed by the creativity and intricate details of the décor. The front of the restaurant is made to look like a small comic book or a collectible shop. On various shelves sit original concept art sketches of Star Wars characters and golden and silver age comic books amongst other rare and nerdy oddities — certainly appealing to that older collector with some money to burn, as everything in this area is for sale (during my visit, I was told an original sketch of Darth Vader had sold for five thousand dollars a couple of days prior). A hostess greets you in this area, pushes a button — a Captain America Shield —, revealing the wall behind her to be a hidden, Batcave-like entrance to the main dining and bar areas, which are also quite impressive. Entering the dining area, you are met by paintings of Star Wars and DC Comic characters, a large Pac Man maze on the ceiling that also acts as mood lighting, and a large mural of various pop-cultural icons meant to evoke the stories and personalities of the owners and chef. Basically, imagine if someone hired a big pop-culture nerd to create the ultimate high-end VIP dining experience, and you will likely get something close to this. I don’t think it is a stretch of my imagination to think this will quickly become a popular destination for people wanting to check out the space. They will likely not be disappointed by that, nor from the food and drinks offered.

Currently, Figures has a two-page cocktail list, some of the names and concepts of which have a delightfully silly sense of humour to them. To start, I went for The Rarely on Target ($20). Visually speaking, this is going to be a slam-dunk crowd-pleaser. This cocktail is made with Bacardi Gran Reserva Maestro De Ron and Dillon’s Absinthe. Combined, this creates an initial spicy taste, similar to a Negroni, but slightly sweeter and with a smooth, clean finish, which makes it not too boozy and quite easy to drink. A very nice way to start the meal. Egg whites give the Rarely on Target a frothy head, which the bartenders take advantage of by stenciling an image of a stormtrooper on top with various spices. As far as I’m concerned, this drink is the perfect representation of the meticulous presentation, refined tastes, and the don’t-take-yourself-so-seriously sense of humour that Figures will hopefully be known for. A definite recommendation.

The dishes offered create a blend of casual sensibilities that nevertheless can be appreciated with by an experienced palette. There can be some slight drawbacks to that, but otherwise the menu, which is made with seasonal ingredients and is set to change on a near-weekly basis, offers dishes that from my experience are still rich in flavour. The first dish I tried was one that I was told had become a favourite over their initial first weeks of business: the Lump Crab ($24), a medium grilled crab cake sitting atop a small crab salad. The crab cake is very nice, as it has a delightfully crispy exterior, but the interior is still juicy and melts in your mouth. As much as I thoroughly enjoyed this dish, a slight criticism would be that there is not much that distinguishes the crab cake from the crab salad. Some more variation between these two components would have been appreciated but, as it stands, it is still a small dish that packs a wallop of hardiness from the crab, and will surely appease those looking some good no-nonsense seafood.

The second dish I went for was an absolute winner. The Lamb Shank ($28) did not disappoint. In keeping with the blend of casual sensibilities with rich tastes, this dish is the restaurant’s own version of a shepherd’s pie — with lamb, gravy, peas, and corn sitting atop a warm bed of mashed potatoes, which has a perfect soft and milky texture. I was told that the lamb had been braised for upwards of five hours, making it incredibly flavourful and tender as well. This is a great balance of different tastes and is incredibly filling given the relatively small portion size. Given everything I tried during this visit, future rotating menu options will likely be promising as well.

Along with the food menu, there are also plans to change the cocktail options on a seasonal basis, some of which are currently being experimented with right now focusing on some ideas inspired by literary figures, according to bar manager and mixologist James Bailey. As such, there are plenty of reasons to be enticed to check out Figures, and given it’s unique atmosphere and unpretentious fine dining options, it will hopefully spark much curiosity in the coming weeks, putting the establishment on a path for prolonged success.

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Product Review: Mèreadesso

Wanting perfect skin is one thing, but searching for perfect skincare products in a world with so many sending you hundreds of mixed messages can not only be difficult, but it can also be downright discouraging. As someone who has spent most of my life in search of products that can properly take care of my skin, I understand that the struggle is way too real.

Now that I am in my twenties, I am finally starting to learn more about my skin and what it’s like. But skincare has become so confusing and extravagant. With cleansers, toners, serums, creams, oils, milks, and moisturizers, it’s hard to know what you need. It makes finding what works for you a nightmare you can’t escape. At this rate, by the time you do find your perfect skincare, you’ll need a different one because you’ll have aged 20 years.

Luckily for me, I was given the chance to try a new line of skincare known as Mèreadesso. Mèreadesso was created by Linda Stephenson, a chemist, botanist, and microbiologist, who was formerly a senior product developer for Estée Lauder. When Linda became a mom, she truly understood what it means to have no time to herself, so she decided to create a product that would do multiple things at once (i.e. day/night/eye cream, primer, toner). Mèreadesso is also the only Canadian line carried by Nordstrom’s beauty department.

Over the course of a couple of weeks, I tried out some Mèreadesso products to see what this new line had to offer.

Face and Neck Cleanser

At first, I was a little caught off guard and skeptical about using the microfiber cloth with the cleanser. This cleanser reminded me more of a cleansing milk. Its non-foamy formula acts as a cleanser, mask, toner, and eye makeup remover. Initially, I questioned whether or not it actually cleaned my skin, because in the past I have always used foamy products that lather on my skin. But after the first night of using the cleanser, I was impressed. My makeup was completely removed and my face felt clean and smooth; my skin looked and felt better than I expected.

Note: I was given the small travel sachet size of the face and neck cleanser to try, along with a mini travel sized microfibre cloth, but you can purchase this cleanser and cloth in a full-size 4oz bottle as well.

All-in-One Moisturizer

I suffer from having fairly dry and sensitive skin, so proper moisturizing is important to me. What I loved most about this moisturizer is how it made my skin look. The all-in-one moisturizer claims to be a single step product that replaces day cream, night cream, eye cream, serum, and primer. It is said to decrease redness and tighten and tone the skin while reducing the look of fine lines and wrinkles. Once again, I was skeptical about the performance of the moisturizer, but once again I was pleasantly surprised. Not only was my skin well hydrated and moisturized, but it also really did seem more toned, tightened, and even. As far as moisturizers go, this one works well for me.

Tinted Lip Treats

As someone who is constantly applying lip product on my lips to keep them hydrated and pretty while I’m on the go and at work, I was very excited and impressed by these lip tints. I feel that a lot of the time tinted chapsticks are never really tinted, but that is not the case with these lip treats. The tinted lip treats did exactly what they promised. They provided long-term moisturization with the addition of buildable colour, and without the waxy feeling of chapstick. I’ve been wearing the light pink one religiously since I got it. They are low-key and natural looking so they are perfect for an added touch of colour and moisture to your everyday makeup look. I also tried them as lipstick primers and I was not disappointed. Long story short, I loved the tinted lip treats.

Beautiful Body Balm

Body moisturizing is just as important as face moisturizing. Even though it is kind of a pain at times, your skin will seriously thank you. That being said, I’m usually pretty picky when it comes to body moisturizers because I am not a fan of scented or greasy formulas. What I loved about the Mèreadesso body balm was its ability to make my skin look and feel smooth and toned without being greasy. I also loved its versatility as a body, foot, and hand lotion. It really did the trick in all three areas. Plus, according to Mèreadesso, the body balm helps break down cellulite and minimize the appearance of scars, stretch marks, and water retention. My only complaint is that it felt like it took long to fully rub into my skin. It moves around and leaves white cream lines until it is fully rubbed in, kind of like the old sunscreen from the 90’s used to. But other than that, I thought it was great.

Final Thoughts

As I mentioned, I suffer from having fairly dry, sensitive skin that is also prone to breakouts, so finding a good cleanser and moisturizer that works for me is super important. Overall, I really liked the Mèreadesso cleanser and moisturizer. I was really impressed with the results and how smooth and moisturized it made my skin. The system didn’t dry out my skin at all or cause breakouts. I also really like how the skincare system eliminates a lot of steps such as toner and serum — it made getting ready for bed that much quicker.

My biggest criticisms are that there were times that I wished there was a deep cleaning part to the routine. Maybe a mask or something to go along with it. I know the line is made to eliminate steps, but I feel like a cleanser just can’t clean thoroughly enough on its own. Sometimes you need a deep clean after a long week. I also wasn’t crazy about using a reusable cleansing cloth to wipe away my makeup and buff my skin. Even though the cloth is washable, it seems a little unhygienic and inconvenient for me.

To conclude on a positive note, I love the mini travel sachets. I think more companies that make mini travel packs should try the resealable packaging Mèreadesso uses. I also love the lip treats and the all-in-one moisturizer. The moisturizer is non-greasy, and probably the best part of the entire Mèreadesso line. I would definitely recommend this line to people who are struggling to find a skin care system that works for them!

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Album Review: The Grand Hustle by Nuela Charles


From the onset, the Grand Hustlethe latest from Nuella Charles, who CBC Music called ‘the future queen of Canadian soul,’ boasts professionalism in its production. ‘Crumbling Down’ opens the album with an interplay of piano and violin followed by Nuella’s voice. The lyrics immediately demand one’s attention — they revolve around the metaphor of a fortress and kingdom brought to ashes and delve beneath the surface of a broken heart song: “I was a fortress built on solid ground […] I was a kingdom full of life and liberty […] crumbling down, crumbling down, brick by brick.”

‘Curtain Falls’ demonstrates Nuella’s mesmerizing vocal range as she sings the chorus alongside a choir of children. The lyrics to ‘Evidence’, the third track, are her most relatable and is concerned with self-reflection. Though more up tempo than previous tracks, it nonetheless reflects the album’s serious undertone.

By the time I was listening to ‘Coming For You,’ I was looking for something a little different. Although ‘Coming for You’ is equally well produced, it continues the album’s general color and style. Having said that, by the end of it, I found myself singing along to the chorus.

‘Love Me like That’ is another broken heart number. However, with its defiant tone and lyrics, it has the potential to be an anthem for girlfriends driving down an empty road, top down, and volume on high. The track’s polyphonic sounds come together to produce a phenomenal song.

The impressive rhyme scheme in the first stanza of ‘Evolution’ immediately catches the listener’s attention. The most upbeat in the album, the track merges rapping with singing and simultaneously prompts one to do a little twirl and ponder over her lyrics. It’s the end point for the album that begins with betrayal and heartache — Nuella evolves to a point of self-love.

Overall, I would give this album a 3.5/5. Its lyrics are inspirational and figurative and the production is skillful. Barring some redundancy in the tracks’ themes and beats, the album showcases Nuella Charle’s wonderful talent as a musician.

Skincare Review: Dr. Roebuck’s

In this great search for perfect skin, amongst all of the new products and new brands to try, one thought kept returning to me: what is it, exactly, that I’m putting on my face?

These days, we focus so much on the ingredients in our food. Clean eating is trendy, and proven to be effective. Everyone’s looking for the most natural ingredients they can find and labels proclaim things such as, “No preservatives,” and “No artificial flavours.”

Do we think the same way about our skin?

I haven’t until recently. Until I began paying attention to the skincare products. Until others showed me that there can be alternatives.

Some alternatives are very natural, things like homemade masks made with ingredients found in your kitchen. Other alternatives are still store-bought, but they’re brands that claim to have nearly all-natural products.

One of these brands is Dr. Roebuck’s, an Australian skincare line established in 1978, now available in Australia and Canada. The line was founded by the actual Dr. Roebuck, which was exciting to discover, and is now maintained by his twin daughters, Kim and Zoe. The products are all manufactured to be Paraben and BPA free. According to the company’s manifesto, Dr. Roebuck started the brand with the intention to create skincare products that were free of everything except the necessary ingredients to treat dry skin.

Upon reading the ingredients lists on the products, it is clear that goal is maintained today. Few of the products have more than 10 ingredients (and if you compare that to another drugstore product, that’s pretty good), and for those that do, the ingredients are pronounceable. You know what they actually are, save for one or two preservatives so the product doesn’t go mouldy on you.

Over the course of two weeks, I’ve tried out four of Dr. Roebuck’s products and let me tell you, this is some pretty good stuff.



When I began testing the products, I decided to alternate using the Face and Pure creams. Face is designed to rehydrate the skin and prevent wrinkles. Now, I haven’t seen much on the wrinkle prevention front, probably because I’m still a bit young for those, but this cream made my skin really soft. It’s gentle and nice to wear. I wore it both during the day and at night, and it wore well underneath foundation. I can’t say much about it other than it’s a really lovely face cream. No spectacular results, but as far as moisturizers go, it’s one of the best ones I’ve tried.



Pure is another one of the best moisturizers I’ve ever tried. Hands down. While Face moisturizes and prevents wrinkles, Pure’s purpose is to moisturize problem skin. We could debate about what problem skin really is, but for me, it made my skin feel both ridiculously smooth and refreshed. I’ve never used a moisturizer before that made my skin feel clean. Usually I find a moisturizer dampens the clean-skin feeling because it’s, well, moisturizing, but Pure seemed only to enhance the freshness that came from Polish and Tone.



By now, I’ve tried quite a few face scrubs and masks. It comes as no surprise that my skin felt clean and refreshed after using Polish, but it comes with a bit of surprise that I experienced no irritation. At all. In other skincare reviews, I’ve mentioned I have sensitive skin. A change in detergent can have me breaking out in rashes. This always makes me hesitant to try skincare products like facial subs and masks that have powerful cleaning ingredients. I’ve tried Polish a few times and have never had any irritation from it. This is the mask sensitive-skin folks have been waiting for.



My very first thought when I used Tone for the first time was, Geez, I haven’t used a toner since high school. Back then I had teenage skin and teenage confidence and I tried nearly every Clean & Clear product. After high school I stopped using toners because I didn’t see the point in them. Why are they necessary? What do they actually do? Tone is supposed to brighten, tighten and smooth the skin. Nothing to report on brightening, but I will say after consistently using the toner, I found the pores on my nose had tightened up a bit, which is great if you have blackheads like I do.

Final Thoughts

In this day and age, we are not short of natural skincare lines. The question now is, which one do I use? There are characteristics across the board that most of these brands share: some good (no testing on animals) and some not so good (a consistently higher price point). A brand like Dr. Roebuck’s is similar to others on the market in what it promises. I can’t speak for every natural skincare brand, but I can attest to the fact that Dr. Roebuck’s seems to deliver on what they promise. Like many of these reviews, the trials I conducted on the products are short-term. Long-term results can only be determined by long-term trials. That being said, my short-term tests were all successful. My skin has felt so clean and healthy the last week that I’ve been avoiding wearing makeup and covering it up. For someone who wears foundation almost everyday, that’s saying something. This is, in my opinion, a great brand with great products. If you are in the market for a new skincare brand to try, I will suggest giving Dr. Roebuck’s a whirl.

ICYMI: SummerWorks 2016 Recap

This year’s SummerWorks Performance Festival boasted a truly incredible line-up. Over the course of two weeks, 69 shows were performed in venues across Toronto. These shows included everything from musicals, to multimedia performances, to art installations.

This was the first year with Laura Nanni at the helm as creative director, but as Nanni told us, she stepped into the position in May, only a couple of months before the festival opened.

“I inherited the programming,” says Nanni. “Things were in full swing. When I stepped in, it was about learning what the projects were.”

SummerWorks’ previous creative director, Michael Rubenfeld, brought together the acts before his departure. Nanni was the undisputed choice of the search committee for his successor.

Nanni has a history of working in the indie theatre scene here in Toronto. She’s previously worked on the Rhubarb Festival with Buddies in Bad Times, as well as Nuit Blanche and Luminato. Nanni worked the SummerWorks front of house while in school, and later on collaborated with artists at the festival.

Rubenfeld’s vision for SummerWorks curated a diverse line-up, both in subject matter and in the types of performances. Phrases like “mixed media” and “experimentation” are commonly used when describing the performances.

Nanni says the acts lined up for the festival lead into the vision she has for SummerWorks.

“I couldn’t have walked into a festival that better exemplified some of the values I’ve always admired,” says Nanni. “I want us to be continually opening ourselves to nurturing artistic innovation and artistic risk, and responding to what our community needs.”

Show Reviews: Our Top Three

When we talk about “artistic risk,” there are a number of ways it can be defined. While there were so many memorable and groundbreaking performances this year, there are three that, to me, exemplified “riskiness.” These shows were risky because they did something theatre often aims to do, but isn’t always able to carry out: they forced us to engage in a dialogue about things that make us uncomfortable.

Sometimes, we just want theatre to be a lovely experience. We want to go see a performance of a big-ticket musical, with catchy numbers and enormous casts. We want to be entertained and to not have to think too hard.

Sometimes, we want to think. We want to be asked questions or ask the questions.

At SummerWorks, there were performances that asked questions, but there were also ones that made statements. Direct statements to the audience, pointing out problematic human behaviour. Direct callouts that leave no room for questioning.

Curtain call from Bleeders. Photo from twitter.com
Curtain call from Bleeders. Photo from twitter.com/dbi333/status/762688881682681856

Bleeders, the brilliant futurist dub-opera by d’bi.young anitafrika, shows a world where humans can no longer procreate due to radiation poisoning. A young woman who finds herself with the ability to get pregnant, a Bleeder, goes on a journey to speak with her animal ancestors, to find out how to fix the mess the world has become. Each animal she comes across has a different song to express an element of their relationship with the human race.

Here is where anitafrika points directly at the audience, at all of us with music and movement. One particular song tells us, “climate change is coming for you.” These are scientific facts not up for debate. With this performance, all humans are being called out for their behaviour towards the Earth and towards animals. We are told through Bleeders we need to have more respect for life: for animal life and human life. Anitafrika goes one step further by closing the show with a full-cast song supporting Black Lives Matter. This is another statement, with a fully black cast speaking to a mixed audience. They have the space to address a collective with hard truths and use it to their full ability.

Thea Fitz-James performing Naked Ladies. Photo from inthegreenroom.ca
Thea Fitz-James performing Naked Ladies. Photo from inthegreenroom.ca

Naked Ladies is a completely different show. It’s a one-woman comedic performance piece, but it could also act as a thesis, albeit an untraditional one. Written and performed by Thea Fitz-James, Naked Ladies is an examination of depictions of female bodies throughout art and history, sprinkled with personal anecdotes from Fitz-James’ life.

At the opening of the show, Fitz-James stars completely naked on stage and looks into the eyes of every single person in the room. This act tackles firstly, any personal issues any of us could have with making eye contact and also asks us how we view the naked female body, how difficult it could be for us to meet her eyes and see the person, not her nakedness. She is fearless in her performance, baring both body and mind for the audience to see. In a memorable moment, Fitz-James touches herself on stage, slowly and while still meeting the eyes of the audience. If there was ever a moment to make the audience uncomfortable, such an overt act of female sexuality would be it. Fitz-James leaves the audience with questions, about how we view women’s bodies and how politics, race and our narrow perceptions of beauty warp that.

Shadi Shahkhalilli in The Unbelievers. Photo from summerworks.ca
Shadi Shahkhalilli in The Unbelievers. Photo from summerworks.ca

The Unbelievers is, again, a very different show. It’s the most stage play-typical performance out of these three, but is also a profoundly intimate view of two women, one a Yazidi refugee and the other a Canadian journalist, in captivity. In the span of one hour, playwright Hannah Rittner and director Marina McClure pose the audience with their own questions, on who we become in the darkest, most desperate times of our lives, of our preconceived notions of those living in war-torn countries and our own North American “good samaritan” complexes. When the show ends, it leaves you with even more questions: how will these two women survive? How can we wrap our heads around this when this show is only a single snapshot in an entire album of stories just like this one? How do we react? How are we supposed to?

One of theatre’s greatest abilities is to open up its audience to a dialogue. While there is often not direct speaking between performers and audience, there is a dialogue occurring. There are ideas being presented, questions being asked, truths we are being forced to face. Like most audience members, I left these three shows deep in thought, unable to let the performances I just witnessed leave my mind.

These are all brilliant shows: beautifully written and performed, but part of what makes them brilliant is their ability to linger with you and make you question your own perspective.