As a lover of fashion, I’m well aware the often times, many designers veer into the cringe-worthy territory of problematic life choices. Recently, the Novella team sat down for a brainstorming session on some new weekly pieces we could all bring to the boardroom table. Among the friendly banter and ideas being thrown around, we came up with an interesting concept. Why not call out those within the fashion industry that need a little slap on the wrist. In the end, we came up with the concept of Dear… Where I have the wonderful privilege of being able to discuss (and tear apart) some of fashion’s most epic nose dives for all of our reader’s gossip needs. So without further adieu, here’s fashion’s Hot Goss.
Dear Marc Jacobs…
The question we’re all asking after New York fashion week isn’t whether or not you’re one of the most talented and influential designers in the world, instead, we’re all asking why you seem to focus all of your design talents on making collections that are essentially culturally appropriative marching parades. Don’t get me wrong, you’ve made some jaw-dropping collections in the past. Louis Vuitton Spring 2012, Spring 2003, and Louis Vuitton fall 2011 all come to mind. So I know he has the potential of creating collections that are beyond beautiful, so why is that Mr Jacobs has been insistent on creating collections that take vital aspects of minorities cultures, specifically black traditions and culture. There really is something inappropriate about placing women who aren’t women of colour in dreadlock wigs or 70’s and 80’s Harlem inspired clothing. This subtle borrowing of black cultural without having black designers assist in the design process is just careless in the fact that a designer, no matter how experienced the designer may be, will never know the personal experience of the culture they’re borrowing from unless they were born into that culture or grew up in that culture.
However, Mr Jacobs seems to look past the complaints of those around him and continues to push the boundary on what is acceptable as inspiration and what is full blown appropriation. Recently, for his last show in New York, Jacobs focused all of his design talents on creating a collection fit an elegant woman of colour. Sadly, the collection had only a handful of black women walk the show. Which wouldn’t seem out of the norm in the fashion industry, but it’s extremely unsettling to see so little black women walk a show where the models are dressed in African inspired prints and head wraps that resemble those worn by African and African-American women. Now to some, it may not seem like such a big deal, however, when a show includes models like Kendal Jenner, Gigi Hadid, and Taylor Hill wearing traditionally styled Gele and Ankara headdresses worn by women from countries like Ghana and Nigeria, it becomes extremely problematic because those specific headdresses are seen as foreign and are often gawked at by westerners. But when white models sport them it then becomes fashionable and trendy. The same can be said for his collections that featured heavy hip-hop inspirations and dreadlocks. On one hand, “urban” clothing and dreadlocks are worn by black men and women every day and it’s seen as ghetto and lower class, but when people outside of a traditional black environment decide to grow their hair into dreadlocks or wear clothing heavily inspired by black culture. It then becomes extremely forward thinking and ambitious.
What the moral of this entire gong show is, is that Marc Jacobs should look into the social consequences caused by the appropriation of culture, especially that of black culture in the United States. And then look into the global repercussions of appropriating the cultures of minorities around the world are before creating collections that are culturally and socially insensitive.Remember Mr Jacobs,
Remember Mr Jacobs, black women were laughed at and made the butt of the joke for taking pride and wearing their Gele’s and headwraps in public for decades now. Making them feel as if they shouldn’t be wearing their traditional cultural dress outside of their own country and making them feel shame and embarrassment for doing so. So why make it harder for black women (and all POC who takes pride in dressing in their homeland’s traditional garb) by making them feel as if the one thing they have to take pride on, isn’t even their own anymore. Because someone else can buy and be praised for it, while they get shunned and mocked for it.
Gone are the days when the standard polyester pantsuit or pencil skirt were the go-to for every woman at the office. The new 9-5 wardrobe should tastefully represent your personal style, as well as the atmosphere of your workplace. The same goes for your beauty routine. You want to look professional and put together without foregoing some extra oomph to your everyday makeup look.
When looking toward the weekend, most of the times all you want to do is throw on a t-shirt and sweats, but hear us out. Loungewear is great for picking up groceries, walking the dog, and laying about and watching Netflix. But sometimes the weekend calls for a little pizazz! An easy weekend solution is to keep your makeup minimal instead of your clothes. Why not amp up your weekend style with some comfy show stoppers that’ll have all your friends begging you for fashion advice and opt for a minimal makeup look?
Now evening wear and formalwear can be a bit tough. There are tons of rules and guidelines on what’s right and what’s wrong. No white at weddings, no stretch fabrics, avoid things that are too casual. All of these rules can make it almost impossible to find something that won’t be gasped at by the rest of night’s guests. Luckily, over the last few years, how we look at formal attire has changed drastically. Outfits that would have never gone over well at formal events are now slowly being accepted. And more outlandish and gaudy designs are being celebrated at events instead of being shunned. This opens up a lot of doors to what you can wear to a formal event this year. So keep your makeup relatively classic with a bit of a twist and let your outfit do the talking!
Zara has a long-standing tradition of providing the fashion-forward masses with reasonably priced and well-made clothing inspired by the world’s most exclusive luxury labels. The clothing you find in most Zara boutiques tends to lean toward a very elegant and trend-positive style. And when looking for the perfect 9-5 outfit, elegance, assertiveness, and freshness are key. For example, Zara has recently added this beautiful tweed set to their lookbook. Elegantly trimmed with a fire engine red hem and buttoned with faux pearl accents. This classic style mirrors the suits Mademoiselle Coco made famous decades ago, but with an added flirty twist. This especially helps with keeping your 9-5 wardrobe fresh and exciting (and you can mix and match the set too!)
In case you were absent during the ’80s, now is the time to embrace a retro throwback in your beauty routine. The spring/summer runway was both subtly and extravagantly reminiscent of the decade and one of the most popular makeup tributes to it was bright blush and lips. Designers like Kenzo, Reem Acra, and Adam Selman all participated in various versions of the retro blush. This look from the Chanel spring/summer 2017 runway features a strong, bright coral cheek contour with a hint of coral on the lips to evenly brighten up the face. MAC has a line of creamy multipurpose lip and cheek stains that are perfect for recreating this look for the office on your own! Just trace the cream colour up the cheekbones, and around the eyes. If you’re really feeling the 80s vibes, finish it off by dabbing a little bit on the lips for an added pop of colour. This beauty look screams springtime while also keeping it professional and pretty for work.
Weekend outfits often tend to lean towards whatever is the most casual (and clean) that’s laying around your room. This can lead to some serious drab moments when going out and hitting up the town. Luckily, ASOS has a slew of different dressy yet uber-casual options for you to beef up your weekend wardrobe. Now, most people don’t want to wear a blouse on the weekend. No problem. Denim is your best friend in this case. The denim jacket and jeans give you the same refined, high fashion silhouette that the A.P.C ensemble gives you, just without the high fashion price tag. The pulled in waist and ruffles paired with matching skinny jeans give this look a fresh and expressive take on your traditional Canadian tuxedo.
The bare skin “no-makeup” look has been seen before, but this season it seems that it was more popular than ever. With designers like Isabel Marant, Michael Kors, Tommy Hilfiger, and Christian Dior all displaying a minimalist approach to makeup on the runway, there is no denying the obvious appeal of the “no-makeup” look. Radiant, clear skin like this look from the Stella McCartney spring 2017 show, is the perfect way to keep it casual, fresh, and chic on the weekend. Just apply a good tinted moisturizer, like Laura Mercier tinted moisturizer with SPF 20, to even out your skin and bring out your natural radiance with a dewy glow. If you need to cover some blemishes, just touch them up with a little bit of concealer and blend it out. To complete the ultimate natural look, brush up your eyebrows and you’re good to go!
Evening wear can be a tricky thing to get right. With all the guidelines surrounding what to wear, most people opt for something black and that’s that. However, modern evening wear doesn’t have to end up being so uptight. One big trend we’ve been seeing are florals — explosions of colourful blooms completing outfits in exotic prints and embroidery. And that’s just the right amount of punch your closet needs to fulfill all your formalwear desires. Free People does a wonderful job of merging elegance and hippie-chic in a neat little package, and the Garden Life maxi dress does just that. Mirror the beautiful blooms seen at Gucci this season. The dress is perfect for this year’s upcoming wedding season and any other spring/summer event that requires a little evening magic. Who knows, maybe you can even turn a dull winter party into a tropical paradise if you have the guts to do it.
This “still wearing last night’s makeup” look is the new smokey eye. The spring/summer runway was all about the smudgy eye. Runway looks from Rag & Bone, Christopher Kane, and Balmain featured similar versions of the black, ashy, smudged out liner look. Pairing this makeup with the floral Garden Life Maxi Dress adds an edgier vibe for a perfect night out look. The best part about this beauty trend is that you no longer have to stress about drawing a straight line! Use Marc Jacobs Gel Eye Crayon Eyeliner to rim your eyes, and using a smudging brush, Q-tip, or your fingertip, smudge out the liner to create an “already worn out” smudged and smokey look.
One interesting thing that most people don’t know about is that many of the world’s most beloved brands and fashion houses actually make the majority of their profits through accessories. Brands like Prada and Dior are tasked with creating new and exciting bags, shoes, jewellery, and more to drive sales through the roof.
Some brands are even blessed with the gift of having almost their entire yearly revenue derived from the sales of their non-clothing goods. That just goes to show how important accessories really are to the fashion industry itself. They aren’t just afterthoughts or cherries on top to add “a little something” to the collection. They’re there to seal the deal on whether one loves a collection or skips it. Here are Novella’s top picks for best accessories of fall/winter 2017.
Prada: As she does every year, Miuccia Prada released a coveted selection of bags that are sure to end up on everyone’s must have list. Ranging from all black and all baby blue shoulders bags, green ostrich feather handbags, nylon satchels, and python skin to fur-covered confections and printed leather bags, Prada outdid itself once again in creating an innovative and versatile collection of handbags for every occasion. However, one bag stood out from the pack. A bag that clearly played off the brand’s fall 2017 collection of book bags. Like its predecessors, this new bag resembles a leather bound book, but this time the entire bag is comprised of velvet, giving the bag a quirky 70’s feel.
Miu Miu: Just like her bags at Prada, Miuccia’s Miu Miu bag collection is another beautiful example of how well-rounded a designer she really is. This season, Prada’s younger sister released a groovy collection of bags that mirrored the collection’s feminine 60’s flare. There were bags with fur handles and bags with large glamorous brooches. But the most interesting pick of the collection was a selection of bags that had “Miu Miu” stitched all over the bag in a stunning psychedelic swinging 60’s font.
Jacquemus: Simon Porte Jacquemus has been one of the only designers of late to actually produce worthwhile collections. And although the statement may seem a little extreme, it’s completely called for in Simon’s case. For his fall 2017 collection, Jacquemus gave the fashion world one of the most creative and innovative bags to date. Gone are the days of his “haricot” bags and wallets — his newest offering comes in the shape of an upside down envelope, mirroring the bags a bourgeois woman of the 1950’s would have worn in Paris. The greatest thing about this bag is that it carries (no pun intended) all of the things that define French clothing (like the gold chain and old world shape) and literally turns it on its head, thereby making the bag distinctly Jacquemus yet still very much French in design.
Chloe: Chloe has always been a staple in exceptional bag making and this season just another testimony to that statement. This season’s it girl bag has to be Chloe’s white sand coloured circle crossbody bag. The adorable bag is the perfect run around bag that matches any outfit, plus the brass coloured metal handle adds that perfect bohemian touch that Chloe has always been known for. And the best part is that the bag looks as if it will be available in a multitude of neutral and dark colours to suit any preference and need!
Altuzzara: The last bag on the list is by far the most traditional of the bunch, but that isn’t to say the bag is in anyway doughty or matronly. This Altuzzara handbag came in a stunning array of complementary colours that suited every look in the collection perfectly, which is also a plus. But the best part about this season’s Altuzzara bag had to be its simple design and decoration. There were no gimmicks here. Just a beautifully designed leather bag with an accompanying flower that would make even the most elite of New York’s Upper East Side squeal with delight.
Gucci: Leave to Alessandro Michele create a cowboy inspired 80’s ankle boot that actually looks amazing. During his latest Gucci show, Michele sent out a real throwback of a shoe that was completely off colour to what has been going on at Gucci. The bright white bootie comes complete with an almost Wild West/almost Eastern European embroidered floral design that fits the brand’s outstanding new vision perfectly. On top of that, the boot itself is perfect for the 80’s revival trend that has been sweeping the fashion world this season.
Tory Burch: Tory Burch is a brand that has more recently been associated with wealthy soccer mom chic, rather than high fashion fallal. But this season, the American brand looked as if it was trying to shed its current plateau and engage new customers. And the shoe of the show did just that. This beautifully ornate Tory Burch heel burst onto the catwalk with one thing in mind — to make a statement. And that it did. The stunning heel pulled out all the stops to command attention; the sculptural heel, European style brocade pattern, and a beautiful oversized bow harked back to imperial French court glamour. It’s safe to say that Tory Burch is finally making fashion and that’s a wonderful thing.
Maison Margiela: The incomparable John Galliano has made a new name for himself at Margiela since his arrival at the iconic Belgian house. Every season it seems that Mr. Galliano has fresh and innovative ideas for his clientele’s eyes to feast on. For this season’s Margiela show, Galliano presented a knee length boot in an ever-so-relevant 70’s inspired silhouette. The boot, which features an ultra feminine pencil thin heel and deep ochre coloured python print, resemble the same heeled boots that independent and fashionable women wore back in the 1970’s, making it an instant buy on any trend followers must have list.
Rochas: Rochas has always been spot on when it comes to gloriously elegant women’s clothing. This season at Rochas, viewers were treated to the most darling of pumps one could ever imagine. The shoe, which looked to have taken inspiration from 1950’s fetish heels and Marie Antoinette court shoes, are as prim and proper as any shoe can get. And that beautifully placed heel makes the entire shoe look even more delicate and glamorous.
Thom Browne: Thom Browne has never been one to shy away from designing things that many would consider outlandish, but that’s exactly why he’s on this season’s “best of” list. For his winter wonderland inspired show, Browne created a heel that features his trademark all-American brogues crossed with an interesting hollow wedge heel made to look like a figure skater’s blade. The shoe is a testament to how amazing a designer Browne is. Not only is the shoe perfectly designed to fit, it also carries one of Thom Browne most easily recognizable trademarks. On the front of the shoe, a small shirt and tie can be seen peeking out from right under the ankle, showing any potential customers that Thom Browne’s quirky suiting is never too far away.
Christian Dior: Berets have been the go-to headpiece of the season and the hardworking ateliers at Christian Dior were definitely paying attention. For fall 2017, Dior had berets coming down the runway in full force. Part French go-to, part pro-feminist statement. The berets conjured up images of strong warrior women ready to fight for female freedom and independence.
Loewe: Jonathan Anderson has been wowing audiences in London and Paris for quite some time now, so it comes as no surprise that the British wunderkind presented another spot on collection for Loewe this season. The collection itself is a mishmash of all of the most beautiful things that Anderson has designed in the past, with the tiniest hint of European village life. This is where the hat comes in. The darling straw hat isn’t overbearing and ostentatious like many straw sunhats that have been shown on the runway. This adds to Anderson’s rendition’s charm. Rather than making the hat comical and theatrical, the small brim size gives the sunhat an air of authenticity and realness.
Coach: Coach is another one of those brands that ran into an extremely commercial plateau for quite a while. However, recently the brand has beefed up their designs and created relevant and exciting collections to lure would-be buyers in. For fall 2017, Coach has managed to design a wonderfully trendy hat for the young streetwear wise dressers of the world. With its fluffy shearling outer layer, the hat seems like the perfect alternative to a beanie for those chilly New York nights.
Adam Selman: Now this may not be the most traditional hat, but that doesn’t take away from how interesting a topper it is. At Adam Selman’s show during NYFW17, audiences were treated to a quirky little birdcage fascinator that was equal parts adorable and badass. Like 1950’s motorcycle gang chicks, the models stormed out with powerful little flowers on their heads and the best part about them is their versatility. Not only could you wear them with jeans and a leather jacket, but you could easily pair the fascinator with a beautiful black cocktail dress for more formal events.
Marc Jacobs: Marc Jacobs has always been fashion’s little rebel. Taking everyday trends from past and present and turning them into high fashion concepts. For his fall collection, the inspiration was clear. 70’s and 80’s urban and hip hop culture reigned supreme on the runway and it was perfectly evident in Jacobs accessories. This puffy hat is a perfect alternative to your traditional winter beanie. Instead of having a regular old boring knitted winter hat, you can have this interesting oversized retro beanie instead.
Anna Sui: Anna Sui is one of those designers who has and will always march to the beat of her own drum. Since the early 90’s, Anna has been creating collections that are distinctly her own. This season’s Anna Sui sunnies follow in her great tradition of doing her own thing. The blue sunglasses feature a theatrical angular cat eye that is only further enhanced by their bright cobalt shade. The glasses also perfectly compliment the collections 1920’s/1970’s bohemian chic aesthetic, giving the wearer the glamour of a traditional cat eye with a bright pop of a mod colour.
Acne: The beauty of Acne is in its simplicity. While other brands thrive off of creating elaborate shows and collections, Acne has blossomed into a fashion powerhouse by infusing Swedish minimalism with high fashion appeal. And this is perfectly evident with this season’s sunglasses. The shades for fall/winter 2017 were simple in their construction. Two thin silver arms hold the angular coloured lenses in place to create a psychedelic feel to the glasses. Think John Lennon à la 2017 high fashion mod. But the quirky simplicity of these sunglasses aren’t the only selling points here. The glasses are actually quite versatile. They can be paired perfectly with a casual pair of jeans and a band t-shirt or glammed up with a silk neck-tied blouse, wide leg pant, and a floppy summer hat.
Anya Hindmarch: Anya Hindmarch’s entry into the industry as an accessories designer must be what pushes her to create an interesting range of accessories that are completely relevant, on-brand, and desirable outside of her own already spectacular clothing lines. Her fall 2017 sunglass collection just goes to show that she understands what her customers want. She could have easily made a pair of sunglasses with a simple frame and lens for her collection, but instead she chose to create a fur trimmed pair of sunglasses that more closely resembled a pair of skiing goggles. The fun, fur trimmed sunglasses add that perfect wintery feeling to an accessory that’s usually associated with warmer weathers and the summer months, giving the overall look a high fashion après ski feeling.
Fendi: Fendi is an accessory giant. Like its other Italian contemporaries, Fendi owes much of its success to its sales in trendy and in demand accessories. Usually known for its outlandish designs, Fendi presented a surprising take on sunglasses by creating a clean and perfectly polished pair of circular sunglasses. The posh specs fit spectacularly with the cool and composed vibe of the collection. It just goes to show that sometimes simplicity really is key!
Sacai: Sacai is a brand that has garnered a huge following over the years. And it’s easy to see why. This season’s sunglasses are in fact the most visually stunning, adorned with a number of butterflies framing the arms and lenses. These Sacai delights are perfect for commanding total attention when walking into a room. The one possible downfall of these sunnies may be their theatricality, but that’s also their the biggest allure. The beautifully decorative butterfly wings add an old world whimsy to the glasses that has slowly been coming back into fashion. And why not enjoy these shades all year-round? They would make the perfect winter pop of summery colour and the perfect summer conversation piece.
New York and London have just finished presenting their takes on fashion’s fastest growing trends. Designers had their hands in everything from florals to plaid, creating a fashion wonderland for all to see and appreciate. However, not every trend was something worth cheering over and not every trend from last year had the staying power to push into this season. In spite of all of that, five trends managed to dominate the runway this season at NYFW and LFW. Some of them are interpretations and modernizations of trends that have been going strong for a little while now, while others are fresh and following the beat of what’s going on around them.
Here are the 5 trends that swept the stage during New York and London fashion weeks:
The staple print of the 1970’s is back again with a vengeance this season. After slowly sneaking into almost every collection under the sun over the past year, this season’s take on the iconic intersecting stripes seems to have a bit more bite to it.
It seems that mustard is the go-to plaid punch colour this season. Designers like Marc Jacobs and Osman have created their own takes on mustard plaid coats that look beautifully modern, yet nostalgically retro.
Now mustard may have been every plaid loving designer’s sweetheart this season, but many other designers opted for more neutral tones instead. At Anna Sui and J. JS. Lee, Prince of Wales check coats and suits came in simple yet punchy neutrals of black and tan that pumped the heritage look of the check with a little youthful pizzazz.
Political injustices that have been sweeping across the United States has inspired a plethora of designers and artists to push past what’s been socially acceptable as a collection to create what are now being dubbed “protest collections.“
This season has seen countless designers present their personal opinions against the current U.S. presidency by incorporating graphic and stylistic design elements into their collections. For example, graphic tees and sweatshirts were the highlights at Creatures of Comfort, PrabalGurung, and Ashish. Models strutted down the runway in garments that either directly quoted many of Donald Trump’s ludicrous catchphrases or directly opposed them by sending messages of peace and empowerment.
However, one collection really stood out by breaking down walls and really pushing the boundary of what politically charged fashion can be. This season at Gareth Pugh, models were dressed in military inspired outfits that so closely resembled modern Nazi uniforms that it felt uncomfortable to even watch the show — which was Pugh’s brilliant intention. Model after model stormed the runway in haunting makeup and beautifully tailored military garb that represented Pugh’s vision of what America’s future may look like if a fascist government sinks its teeth into it for too long. The runway music was a cacophonous array of jumbled songs, speeches, and easily recognizable American media that mimicked CIA audios of torture used on prisoners. The collection did not break from a completely black colour scheme, only adding to the doom and gloom that Pugh wanted to express. In the end, the collection is a strong representation of creative visions that designers will start to express as the world around them become little less bright as time goes on.
These aren’t your grandma’s delicate peony prints! Fall/Winter 2017 saw some of the most creative and downright unconventional floral prints seen to date. Colours were vibrant and outlandish, designs were ostentatious and gaudy, and the best part was that audiences loved every second of it.
Season after season, designers have slowly built up fashion lover’s appetite for more shocking floral prints. At Preen, one of the last biggest trends, the puffer coat was given a bright injection of watercolour florals. While at Christopher Kane, beautiful budding blooms exploded from simple slip dresses, adding a whimsical fairytale touch to the collection.
At Ryan Lo and Erdem, traditional English florals were spun into unconventional silhouettes to give a modern update to old world Victorian charm.
The Reimagined Suit
Gone are the days of the 90’s power suit. Women now have a plethora of unique and interesting styles that are perfect for the boardroom. At Theory, Thom Browne, and Mulberry, plaids dominated. Adding a retro crispness to the modern suit. But the modern suit doesn’t just rely on a fresh print for an updated look.
At Mulberry and Delpozo, silhouettes were given exaggerated proportions to modernize the everyday suit’s silhouette. Broad shoulders and widened flared arms hark back to exaggerated Dynasty power suits, without leaving a tacky taste in your mouth.
However, the real winner has to be Thom Browne. For his fall 2017 collection, the master of suiting once again deconstructed the traditional suit and put it back together. Giving women the option of strong menswear-inspired looks as well as Edwardian era newspaper boy suits in whimsical gingham check. The collection presents an interesting take on the modern women’s suit. It showed that suiting doesn’t necessarily have to be cold and stoic — it can be interesting and even comical without taking away the commanding effect of the suit itself.
The New Trench
It goes without saying that this season has been the season of the trench coat. Designers in every fashion capital have stormed the runway with their interpretations of floor-length trench coats, giving them modern updates, and unconventional silhouettes for the modern fashion aficionado to enjoy.
The most colourful of the bunch came from Derek Lam, who presented a lovely trench coat in red leather, conjuring up images of 1940’s Dick Tracey zoot suits. Meanwhile, Margaret Howell, The Row, and MM6 all opted for more traditional hues.
The most intriguing part of the modern trench coat is definitely the new proportions designers have given it. At The Row, trench coats were given extremely streamlined silhouettes by going sans buttons. While trenches at MM6, infused with traditional Japanese designs and tied at the waist with a very thin belt, almost resemble an unfinished kimono. Designs like these give the modern trench a fresh and exciting twist. This isn’t just your dad’s old London Fog coat anymore!
Of all the ways to experience fashion — from the runway to the pages of a magazine and the street — fashion films are one of the more interdisciplinary mediums. They transpose fashion into a visual world with characters, narratives, and music. As such, they convey not just the beauty and details of the season’s pieces, but also the creative sentiment behind the brand and its designer. We rounded up some of the standouts from this year’s Fall/Winter season — whether they are funny, sentimental, or surreal, they all speak to a larger vision contained within the collections.
Nobody does a fashion video quite like Kenzo. Having tapped into the creative worlds of directors like Greg Araki, Sean Baker, and Spike Jonze for previous projects, they’ve set the bar high. Their latest was written and directed by Sleater-Kinney’s Carrie Brownstein, who explores the ridiculousness of social media by turning it literal.
The film follows actress Laura Harrier on a bizarre adventure that begins in the shady ‘Institute of the Real and Really Real.’ We first see Harrier greeted at the establishment by a group of her ‘followers’ and an authoritarian Rowan Blanchard. As two of Harrier’s followers walk away, Blanchard explains the rules of the institute and social media.
Since Harrier once called Natasha Lyonne the social media jargon, “mom,” on Instagram, the institute makes Lyonne Harrier’s actual mom. It spirals into a hot mess and Lyonne gets into a fight with Harrier’s birth mom. The short also has cameos from Kim Gordon and Mahershala Ali.
Alexander McQueen’s creative director Sarah Burton and photographer Jamie Hawkesworth look to the brand’s original vision of dialectical oppositions for its fall/winter 2016 video campaign: shots taken in both back and white and color, the night theme of the clothing vs. the bright sunny day, the quick rolling shots of road juxtaposed with long shots of calm nature, and the delicateness of the garments paired against the rugged backdrop of the Shetland Islands. The film stars Mica Arganaraz, who is joined by three Scottish sisters, Daisy, Emily, and Lily Brodie.
The girls playing in the remains of a house and car bring us to focus. One of the sister’s voice floats over the video, talking about school and meeting Mica, “I just go into a dwam, and like block out all sound, basically. So, someone will say my name in maths and be like, ‘What’s the answer to this,’ and I’ll be like, ‘I didn’t listen to any of that.'” Their voices compete when they talk about Mica, “She’s got brown curly hair with a fringe, and she’s got an amazing tan, amazing eyebrows. I thought she wouldn’t talk to us, but she did actually talk to us.” The film ends with the sisters and Mica walking to who knows where in beautiful,gothic dresses, as a folk song sung by them drifts in the background.
Anyone remember Marc Jacob’s iconic spring 1993 grunge collection at Perry Ellis, featured in the Sonic Youth’s video, Sugar Kane? It pissed off just about everyone and got him fired (shout out to Chloe Sevigny and Kim Gordon). From his earliest years designing, Marc Jacobs has pushed buttons with panache and has had a very special relationship with music. His fall campaign video, Beautiful Freaks, is a testament to that.
Set to Man Friday’s thumping “Love Honey, Love Heartache” and directed by legendary music video director, Hype Williams, Beautiful Freaks is a glorious showcase of Marc Jacobs gothic fall collection. Jacobs has the best cast and has brought in Missy Elliot, Susan Sarandon, Sissy Spacek, Anna Clevland, and Marilyn Manson (just to name a few). He even sneaks a cameo in there.
Gucci’s fall/winter 2016 film campaign feels like Lost in Translation. Creative director Alessandro Michele continues the work with Glen Luchford on visuals. The video stars Petra Collins and a gaggle of models, driving around Tokyo in a Japanese light truck until they get to a pachinko, which is surreal AF. “The ongoing dialogue between the traditional and the modern – between calm and chaos – that characterizes this vibrant place creates a psychedelic assault on the senses that is echoed beautifully in the vivacity of creative director Alessandro Michele’s creations,” states the house.