Most Fashionable Video Game Characters Of All Time

Video games have long been associated with nerd culture, which is often seen as the opposite of fashion. However, if one were to look past what was on the surface, they’d realize that both industries and worlds are deeply rooted in design, and visual and emotional stimulation. While one stimulates by using technology, interaction, and visual stimulus to immerse players into a dream world separate from their own, the other uses visual stimulus, texture, and the promise of luxury and exclusivity to take fashion lovers into a different world. Yet, even though these two worlds are far apart, many designers, both game and fashion, are coming to realize how important one another’s industries are. Nicholas Ghesquiere realized this a few seasons back when he had Louis Vuitton collaborate with legendary video game developer Square Enix for a Final Fantasy themed ad campaign, which was the first ever fashion & video game crossover and opened the doors to an entirely new niche market where video games and fashion come together.

Ivy Valentine — Soul Calibur

Photos: Wikia | Vogue Runway

Soul Calibur’s voluptuous English femme fatale is as deadly as she is stunning. Having been a staple character within the Soul Calibur universe, Countess Isabella Valentine has been featured in all of Soul Calibur’s cannon games as well as many of the game’s spinoffs. And for good reason. Ivy is one of the most easily recognizable characters within the game’s universe, not just for her iconic whip sword or bra size, but for stunningly designed outfits that are equal parts dominatrix and regal, perfectly matching her dominant and savage personality. Emulating Ivy’s look is simple: Look for something with equal parts sex appeal and regal dominance like Redemption.

Dante — Devil May Cry

Photos: Wikia | Vogue Runway

Being born to a demon father and a human mother may come with plenty of struggles, but dressing well isn’t one of them. Since the release of the first Devil May Cry game, Dante has been the spitting image of a rock and roll badass. Now many other video game heroes have donned the go-to leather jacket and combat boot combo, but none have done it with hellish flare like Dante. In his newest incarnation, Dante sports his usual leather get up, but adds some runway flare by making his look less costumey and more realistic, mimicking what’s been seen on the runway time and time again. Recreating Dante’s iconic look is pretty easy, opt for something with nods to rock and roll like John Varvatos.

Bayonetta — Bayonetta

Photos: Wikia | Vogue Runway

Being a witch comes with its perks. Sure mastering gunplay and demonic witchcraft may sound cool at first, but when you realize that Bayonetta uses a portion of her magic to manipulate her own hair into turning itself into an outfit, you realize just how amazing being a witch can be. Imagine never having to buy clothes again. Instead, you can create any outfit your heart desires, from Dior gowns to Alexander Wang jeans — the options are endless when your hair is as malleable as silly putty. To best emulate Bayonetta’s style, look for designers who use heavy weaving and tassels, like Julien Macdonald.

Alucard Tepes — Castlevania

Photos: Wikia | Vogue Runway

What happens when you’re the son of Dracula? Well, you end up with an astounding taste for vintage clothing and gothic romanticism. Alucard Tepes main claim to fame may be his endless fight against his villainous father in the Castlevania universe. However, his historic bloodline shouldn’t be the only thing he’s known for. His character design is among one of the most fashionable and charming within the world of video games. Taking direct inspiration from all things gothic, Alucard emulates the perfect vampire, equal parts handsome and stoic, dark yet inviting. To recreate Alucard’s iconic style, try opting for vintage John Galliano.

Princess Peach — Super Mario

Photos: Wikia | Vogue Runway

You don’t become the single most recognizable female video game character in the world by riding on the coattails of a man. No, you grab him by his coat tails and throw him off the arena. And you do it all with style, grace, and a healthy amount of pink! That’s what’s kept Princess Peach from the Super Mario universe so relevant throughout the many decades she’s graced screens around the world. Not only is she badass in the sweetest way possible, having gone from damsel in distress to racecar driving and fry pan wielding heroine, she’s managed to do it all in her iconic pink ball gown and pointy red pumps. Without dropping her jewelled crown even once! For her look, you’ll have to take a flight to Paris, because this princess’s personal style goes hand in hand with Galliano era Christian Dior. How glamorous is that?

Continue following our fashion and lifestyle coverage on FacebookTwitter, and Instagram.

Resort 2018 trends you’ll be itching to try

Resort season is one of the most overlooked seasons in the fashion world. While fashion lovers around the world pine for spring, pre-fall, and fall collections, resort seems to fall behind in the eyes of the fashion community year in and year out. Luckily, this season, it seems that designers around the globe were bitten by a creative bug and produced some of the most successful and innovative resort collections to date. And the best thing about fresh and innovative design is that it pushes new trends forward, giving fashion aficionados around the world new inspiration that breathes life into their cold weather wardrobes.

The Printed Knee-High

Photo: Vogue Runway – Prada, Thom Browne, Gucci

Now, to some (I’m talking to you private and Catholic school girls), knee-high socks are the bane of humanity. They’re fussy, tend to always fall or roll down. and generally come in either black, navy, grey, or whatever ridiculous hue of maroon or mustard your school colours were. But don’t dismiss this posh staple just yet. This season’s knee-high stocking was more than just an accessory. Unlike their academic sisters, the knee-highs at high fashion houses Prada, Thom Browne, and Gucci came in printed patterns and interesting hues. Marrying the traditional sock with blogger-it-girl street style, they transformed the good old scholastic knee-high sock into one of the most in-demand accessories of the season.

Shades of (Navy) Blue

Photos: Vogue Runway – Pringle of Scotland, Delpozo, Versace

Resort and cruise collections are created with the sole purpose of giving high-fashion clientele luxurious options for their jet-set vacations. Instead of throwing on a gauzy sarong, resort collections offer up the option of opting for luxe ensembles made especially for the warm summer months, the yacht, or the country estate. And it seems as if the designers visited the same luxurious and exotic locations as their clients when they designed their collections. No colour seems to have popped up during resort season more than deep ocean blue and nowhere else was it used better than at Pringle of ScotlandDelpozo, and Versace. Rich and luxurious shades of indigo and navy dominated the design landscape, creating daydreams of the deep blue oceans that surround the world’s most heavenly rivieras.

Mix and Match Rock & Roll

Photos: Mugler, I’M Isola Marras, Acne Studio

Back in the days before rock music began influencing fashion, one could be called out or even ousted from social circles if they chose to sport a particular rock clique attire for the sake of style. It was a rock & roll travesty to merely wear a studded leather jacket for the sake of looking punk or a Slayer t-shirt because you wanted to look like a metalhead. Fast forward a few decades and the walls of music (and fashion) have come down. It’s no longer a sin to want to mix and match styles from the various eras and genres of rock music around the world. Designers took that notion into full account this season. At MuglerI’M Isola Marras, and Acne Studio, rock saw its various style meshed with one another to create a perfect cacophony of textures, layers, and colours. Punk mesh was mixed with grungy florals, while oversized blazers were paired with pop rock hoodies and eyeliner, and goth trenches were paired with clean Bowie-esque slacks, giving a new look to the traditional rock ensemble.

Green With Envy

Photos: Vogue Runway – Vivetta, Philosophy di Lorenzo Serafini, Vionnet

Emerald, pea green, evergreen, mint, lime, avocado: It doesn’t matter what your favourite colour of green is because you don’t have to choose this season. From the look of it, green seems to be the next big trend in colour right after navy blue. At VivettaPhilosophy di Lorenzo Serafini, and Vionnet, green played a vital role and added a fresh and crisp summer look to many of the garments in the collections. Taking the designers’ resort wear from regular vacation attire to bright and exotic à la Jennifer Lopez at the Grammy’s in Versace. And what woman wouldn’t want to have her own JLo moment?

Rock & Roll Florals

Photos: Vogue Runway – Badgley Mischka, Preen by Thorton Bergazzi, MSGM

Resort 2018 seemed to be the season of turning tradition on its head. At Badgley MischkaPreen by Thorton Bergazzi, and MSGM, florals were placed front and centre. But these weren’t your average florals. This season’s floral called for something a little out of the box. Instead of having the same old soft and summery pastel florals, the designers opted for prints that brought a little edge into the mix. Dark background colours added to the pops of crimson, teal, and gold that wound around one another to create florals that were a little more ’80s glam rock than garden party pristine. Making these prints the perfect mould breaker for a fashion lover who wants to go somewhere a little darker and a little harder with their pretty petaled prints.

Continue following our fashion & lifestyle coverage on FacebookTwitter, and Instagram.

Tagging along with Texas King at Canadian Music Week

As a fan of most genres of music, and Canadian talent in particular, I was excited to attend this year’s Canadian Music Week from April 18th to 23rd and check-in with a few bands I was excited to see live. Canadian Music Week, or CMW for short, showcased a plethora of local and international artists that were either up-and-coming, or seasoned veterans. After a long, luxurious Easter weekend where I nearly sent myself into a food coma, I was geared up for the long week ahead, mentally and physically preparing myself for long days at work, followed by late nights in different Toronto concert halls.

I began my week on Tuesday at Adelaide Hall, where I planned to meet up with the London-based band, Texas King. Formed in 2012 by front man and lead-singer, Jordan MacDonald, Texas King soon grew to be a four person collective with Colin Gray as lead guitar and back-up vocals, Phil Spina on bass, and Rob Shipway on drums. The band holds a regular slot at CMW as this is their fourth or fifth year playing the festival. Along with Canadian Music Week, Texas King has played NXNE, Scene Fest, and KOI Fest.

I tagged along with Jordan, Phil, Colin and fill-in drummer, Mark Swan throughout the night and dished on music, their early history, and what its like to be an independent artist.


Once meeting up with band members, Jordan MacDonald and Phil Spina, we began to walk over to Adelaide Hall. I had known Jordan since my early years in high school and ever since then had followed the success of his band. The first Texas King EP holds some of my favourite songs to which I know all the lyrics. While the EP was released in 2013, it currently stands as the main source of music currently available to the public by Texas King. Before chatting with Jordan and Phil, I had expectations of hearing the EP in its entirety at the show, but Jordan confirmed that, while it is a classic, the band has created an onslaught of music since then and has their debut album ready to be released at any moment.

As we walk over to the musical hall, I ask if the band is currently seeking representation, especially in regards to the release date of their new album. Jordan responds, “We’ve been shopping [the album] around different labels and stuff. Then we kind of hit this standstill with this one label we were talking to, so now we’re just kind of doing this final showcase thing.”

On April 29th, the band is performing a showcase at the Horseshoe Tavern. While the band has performed at the Horseshoe prior to this show, they are hoping to use this specific showcase as a way to gain recognition and attention of certain label representatives who frequent this venue.

I comment on the importance of the Horseshoe Tavern as a music venue. Jordan agrees and adds, “it’s good for showcases too because industry people know that bar and they know that you’re not going to be able to play there if you’re shit.”

We laugh, and Phil adds to the conversation by stating that with, “certain venues it’s hard to get people out to. Nothing against those venues, but there are certain venues that people like to go to. If you play somewhere cool, like Sneaky Dees, odds are, people will want to go there anyway and they’ll decide to check us out. As opposed to a smaller place, where people don’t know where it is, or sometimes the bands are hit and miss there.”


                                                                                                         Photo: Courtesy of Texas King

As we continue walking, I try poking around and getting more information about their upcoming album. While they answered all of my questions, they still are keeping most of the information on the down-low in order to build suspense and allow for the work to be interpreted when the time is right. I asked if the album had yet been mastered, to which Phil replied, “Yeah, it was mastered a few months ago. It’s pretty much all done. We’re in the art stage, it’s the only thing left. We just need to get artwork and then it will be ready to put out.”

I then asked if the band was currently looking for for artists to submit their work and if they were shopping it out that way. Phil noted that their drummer was responsible for handling the band’s graphics. He was responsible for their website design, and their merch design, because of this, he assumes that Rob will probably create their artwork for the album.

                                                                                                                Photo by: Kimberley Drapack

Once we entered the venue, another band, The Honest Heart Collective was currently in the middle of their sound check. We hung around and listened to part of their set. Texas King is currently touring with The Honest Heart Collective and urged me to check out their music. The two remaining band members, Colin and fill-in drummer, Mark, soon joined us after struggling to find parking.

Texas King soon took the stage and settled in quickly to their designated roles. After plugging in their equipment, and making sure they had everything in place, they began their sound check which brought a sense of nostalgia to the small space. The band played two new songs off their upcoming album, along with an older song, titled “Come Find Me” from their 2013 EP.

After a quick sound check, I tagged along Jordan and went outside for a smoke break. I asked if he was still the main songwriter of the group, to which he replied, “I still write all the songs. There’s a couple exceptions – a couple tunes where someone will come up with something, but for the most part, I write the tunes and bring it in still skeleton like. I still write most of them on my acoustic.”

Jordan finished the last drag of his cigarette and added, “I still imagine it in my head and then bring it to the band room.”

After sound check, we had some time to kill before the band’s slot in the showcase at 11pm. Around 6:30, I tagged along with Colin, Phil, and Mark, in search of some sort of food before our long night. I asked about the whereabouts of their resident drummer, Rob, to which Phil replied: “He was supposed to be back a couple of days ago, but work sort of fisted him and said we’re adding another day. He told work that he can’t stay, but they’re making him.”

Colin laughed and chimed in, “Imagine how badass it would have been if he did fly in and arrive just in time for somebody to pick him up and drop him off at the venue, and as he walks in, someone throws him a pair of sticks and he catches them out of midair.”

Phil replies, “That would be bad ass, but that would give me the worst anxiety all day.”


                                                                                                         Photo by: Kimberley Drapack

We then move onto the topic of work outside the band. I ask each member what job they currently have to be able to support the job they actually want to do. It becomes a funny conversation, the notion that in order to pursue a creative role, one must find another, (and sometimes multiple) job(s) in order to support their passion projects. Phil states that he works at a venue in London, and Colin replies that he has plays other people’s music, rather than his own.

Upon topics of origin stories, we recounted the early years of the band and how they formed their collective. Phil replied, “when we originally started with our first drummer, we were all in Fanshawe, and then our original drummer left 8 months or a year in. Our current drummer also went to Fanshawe, but we didn’t meet him there. I played in a band with him before. But the three of us met in the same program.”

Jordan and Colin got started in 2012 in their first year of college as an acoustic duo, and later, Phil and Rob joined the band to create the rest of Texas King. While finishing their final year of college, the band released their debut EP. Colin adds, “we released the it right during the end of exams.”

We returned to the venue and chatted with other band members playing the showcase that night. We laughed at a typo on the CMW handbook that said, “Mississausage Showcase” rather than the intended, “Mississauga Showcase.” One member of a Montreal band playing before Texas King stated that he used to play in a band called, “Crushed Luther”, and were once billed as “Crushed Leather.” Conversations like these had me triple checking my notes to make sure I had my own facts straight.

During our downtime, I chatted more with the band to get a sense of what Toronto venues they had under their belts. Phil listed off, “The Horseshoe Tavern, Sneaky Dees, The Drake, The Bovine Sex Club.” Colin added, “we’ve played a lot of places. You name anything on Queen and we’ve done it.”


                                                                                                                   Photo: by Kimberley Drapack

In comparison to the previously listed venues in Toronto, Adelaide Hall, which they were playing that night, had a promising set up. Audience members can get pretty close to the stage and right into the action. There’s even the chance of creating a pit. I asked if they encouraged this type of behaviour and Colin chimed in: “Yeah. Well, not like a pit where they kill each other, but Jordan is good at getting people to come up. He is charismatic and gets people who are bumming around the outskirts to come closer when the show starts.”

Along with Jordan’s ability to get the crowd amped up, the band has a great set time for their showcase. Phil recalls an earlier CMW where they had a great deal of luck as well: “We were at the Hideout, our very first year at CMW and the show was on a Tuesday around 8PM. We thought that no one is going to be here, but it was pretty packed. That’s when we realized that with CMW, it goes out the window. Just because you’re playing on a Tuesday or Wednesday, it would normally be kind of shitty, but that year, across the street was tattoo rock parlour, and the show started later, but it was with, “Stuck on Planet Earth, The Dirty Nill, and The Reason.” A lot of people ended up coming to the Hideout for our show at 8PM, and then at 9:30PM, they went over to see the shows at the other venue. Jeff from Teenage Kicks came out and saw us and then after we were done as the night went on, everyone went across the street. So, it’s very much about when you play versus what other is going on that night.”

We circled back to the discussion of  the much anticipated album. I asked when exactly it would be released. Phil stated that they were trying to keep most of the information low on the radar, and as far as naming the album, they were “tossing around a couple of ideas, but I don’t think we’ve settled on one yet. We usually just tell people “it’s coming.”

That’s sort of the general music rule within music: you’ll get it when you get it and until then, you’ve got to be patient. Phil agrees, and adds, “I don’t usually feel like explaining to people that there’s so much more behind it than just releasing music.”

                                                                                                                       Photo by: Kimberley Drapack

As the showcase began, we huddled backstage and tossed around stories as the bands playing before them set the tone for the evening.  We got on the topic of funny tour stories, and Phil recalled a time when he had to get 10 stitches in his hand before a show. Colin piped in, “we were rock climbing in Sudbury on a fine afternoon.”

Phil continues retelling the story and says, “we were going from Sault Ste. Marie to Sudbury, with plenty of time. On the sides of the roads, there’s a bunch of boulders – huge rocks, that are loose. After going and checking out a river, we decided we should leave, because we had to get loaded and get ready for soundcheck…”

Colin adds again, “after having a great day…”

Phil laughs. “We were 15 mins outside of Sudbury and it was the last show of the tour before going home. We were climbing up the boulders to get up to the road, and one of the ones I stepped on was loose. It slid out and I fell forward and instinctually put out my hands to catch myself and one of the rocks was a corner, the edge of the rock went right into my hand. I cut the artery. I was bleeding a lot and I needed two stitches just to close up the artery.”

I asked if they had flown into panic mode as soon as the injury happened. Phil stated that he knew right away that he needed stitches and Colin added, “Robbie ripped off his shirt in a heartbeat and wraps his hand. Jordan was in the van already and we were yelling, “start the van!”

Phil continued the story. “Jordan was sleeping. We made it back to the van, and Jordan is just waking up from his nap and there I was, gushing blood.”

Colin ended the saga by stating: “when we got to the hospital, the nurse wrapped his hand and said the wait would be around 20 minutes, a pretty reasonable time, and we got out to the waiting room, and within 4 minutes, it was already completely soaked in blood and dripping. We had to go back and be like, can you re-wrap this? They then rushed us to the front.”

I fished around for more stories, as I knew they had more to tell. Colin retells a story during one of their earlier years at Canadian Music Week. “Another time during Canadian Music Week, were at the Dakota and drinking with an industry guy and we were having jäger bombs, having a great time. We were new to this whole CMW thing but we knew this guy from another conference we were at before and he took us under his wing and brought us to an after hours party at the Bovine Sex Club. We walked in and I remember there are all these people… two members of The Trews, the guitar player from Billy Talent and John Lennon’s son, who does a solo project. It was sick, we were welcomed and then that night, we were doing a funny snap story together, cracking beers with a bunch of people with our arms around them, and seeing who we could get on the story. We got the bass player of The Trews to get on a snap story with us and crack a beer. He didn’t know: we were just like, “hey man, get on this snap story with us!” and we cracked a beer and took a sip together. It was probably our coolest snap story to date.”

At this point they are getting ready to perform and Colin ends with: “Another time, we forgot Robbie’s drum kit. But you probably should add that.”

                                                                                                           Photo: Courtesy of Texas King

Later after their set, Jordan and I stand outside the venue and reflect on the show. The energy was incredible, just as I remember it being, and as audience members trickle out of the venue, Jordan gets many words of praise.

He told me that in between sound check and their show, he went over to a bar close by where they claimed to have drinks for $2.50. After ordering a double bourbon, the bartender asks for $19.50. We laugh, and after asking why he didn’t ask the bartender about the mix-up, Jordan claims that it wasn’t the right time, as there was a crowd of guys standing around him in suits who were next up to get a drink. He adds, “yeah, they were just there, being rich, and as soon as I heard the price they were looking at me like, “you got a problem with that? Is it too much?” So, I just had to be like… just take half the money I have for the whole week.”

It was now around 12AM and I was ready to start my long journey home. Jordan told me to hang out, but I politely declined and as I had a train to catch. Before leaving, I had one last question that I was surprised I didn’t know the answer to. I asked Jordan to tell me the story behind the name of the band.

Jordan put up his right hand and said, “It’s from my adoptive name, Austin James. It’s a little word flay with the fingers. If you go Austin Texas and King James, then in the middle there, is Texas King. It’s dumb, but it seemed clever at the time.”

He explains that he was renamed Jordan Andrew MacDonald. “Yeah, my parents switched it up. You can do that with dogs, and apparently, people too.”

I ask what is next for Texas King. For now, if a label doesn’t work out, they plan on releasing the album independently, as they’ve done from the beginning with their music. “We’ll do it indie as we’ve done with the EP and stuff, tour it out of the van, make our own copies.” The first EP was self-produced and self-recorded and anyone who has self-recorded and self-promoted their own music knows that it requires a lot of time, manpower, and money, which isn’t always abundant during one’s early years.

With their debut album, they did things a little more professionally, while still having a hand in every part of the process. As of this current moment in time, Texas King remains independent and and without any external industry help.

                                                                                                                Photo: Courtesy of Texas King

Another goal on the horizon is getting Texas King on the radio. “We’re putting out a single,” says Jordan. I wondered if it was one of the newer songs I heard this evening, to which he replied, “no.”

Artists like Jordan have a pile of songs at the ready as his creativity never stops. I wonder then, in the current climate of awaiting a record deal, do artists often fall to the wayside, their creativity tested and tried over again, while they relentlessly self-promote their work that deserves a higher recognition? Bands like Texas King are doing extremely well, upping the roster at CMW and as I’m sure we’ll eventually see, headlining shows, and occupying prime spots in the showcase.

Jordan refers to a song they debuted tonight, titled, “Small Towns.” Along with this single, they have a few more in store, but they are not playing them quite yet.

On the other side, there is a cool self-starter vibe with Texas King where being independent is a large part of who they are. Jordan states that it’s “cool being indie because then you get to make all your own money, but I just wish there was more to make.” I add the fact that you also get to own your own music – your masters, what you release as your single, and so forth. Jordan agrees with this point and we call it a day.



Keep an eye out for Texas King‘s debut album coming soon and continue following our arts & culture coverage on FacebookTwitter, and Instagram.

London Fashion Week Street Style 2017

It’s no secret that London Fashion Week is well known well as a capital of creativity, and for their eclectic style which contains edgy silhouettes, explosions of colour. Londoners’ tends to be more daring and extravagant compared to the New Yorkers. The city turns into a colorful carnival and despite London’s climatic reputation, they aren’t letting a little rain get in the way of their sartorial spirits. From punk rock to anti-fashion inspired pieces mixed with plenty of bright colours and textures, there is no doubt  that Londoners know how to make a strong entrance.

Here are some of the best street styles spotted during London Fashion week:

Sneakers with everything

Photo: Kuba-Dabrowski

It’s already known that sneakers aren’t just for the gym anymore and these fashionistas surely know how to pull it off. Sneakers can add a funky touch to any outfit and can create an effortless carefree look with a cool attitude.

Photo: JonarhanKuba-Dabrowski

Photo: Kuba-Dabrowski
Photo: Getty Image

Frills and Ruffles

Lots of ruffles were spotted appeared on the streets of London during fashion week and it seems as if it will continue to be a massive hit for the upcoming season. The flirty detail has been seen on many garments, like multiple ruffles on the sleeves, whether if it’s on a jacket, dress or a top. We absolutely think it’s a perfect way to uplift any look.

Photo: Diego Zuko
Photo: Sandra Sumberg
Photo: Julian Boudet

Dress over jeans

The 90s are still here and London street style definitely proves it. The “Drouser” was seen everywhere in the British capital, so don’t hesitate to adopt this trend and wear your maxi dress over a pair of blue jeans.

Photo: Sandra Sumberg
Photo: Getty Image
Photo: Sandra Sumberg
Photo: Diego Zuko

Punk Rock

Photo: withJulien Boudet

London’s punk rock roots definitely plays a role in their street style. During LFW ’17, We saw a lot of punk references, which seemed to be more inspired by 90s grunge than traditional punk. Brooches attached to denim jackets, chunky ankle boots, and chunky bangles all helped evoke a rock and roll vibe.

Photo: Nabil Quenum
Photo: Julien Boudet
Photo: Nabil Quenum

Mix and Match

From the catwalk to the street, the fashion industry is all about pushing its boundaries with the modern concept of mix and match. The new wave of eclecticism means that you can combine prints and texture without any rule, just follow your fashionable instinct.

Photo: Getty Image
Photo: Getty Image
Photo: Getty Image
Photo: Sandra Sumberg

Statement stripes

Bold stripes in any size are having their moment right now and it seems like Londoners are more than happy to adopt this bold trend. For a sporty cool vibe pair it with denim, or add a pair of classy heels for a fancier touch. This helps create a perfect contrast.

Photo: Sandra Sumberg
Photo: Sandra Sumberg
Photo: Styleograph
Photo: Styleograph

The extra long coat

From trench coats to coats made from velvet and wool, all of the fashionistas are wearing it extra long. The classic streamlined silhouette is feminine and flattering and it can also function as a transitional piece between seasons.

Photo: Sandara Sumberg
Photo: Sandara Sumberg
Photo: Sandara Sumberg
Photo: Diego Zuko

Bright fur coat

A colourful fur coat is a staple piece that can refresh any outfit and bring some fun attitude to your wardrobe, especially in the gloomy weather. Whether it’s a bright magenta, a lemon yellow or a mint green, the joyful maximalist coat is all you need to turn heads on your way to a fashion show.

Photo: Getty Image
Photo: Diego Zuko
Photo: Jonathan Daniel Pryce
Photo: Kuba Dobrowski

Designer Profile: Neoss London

Photo: Neoss

Georgie Charalambous and Natalie Bouloux are not just a ‘design duo’ — they are so much more. They are best friends, they are aperol spritz buddies, they are leaders in sustainable design, and they are the brilliant minds behind Neoss, their London-based fashion brand.

School friends from a young age, the idea to start a fashion brand together came after they realized a shared obsession with neoprene. From there came their first collection of bags and swimwear inspired by many things, though at the centre of it was 80’s ski outfits. While neoprene ignited their shared vision, it was only the beginning.

Photo: Neoss

“After the bags, well…we had always really wanted to do womenswear. That was the idea right from the beginning. It was just really organic from that point. Nothing has been majorly discussed, like how we go to the next point of our journey. It just happens! We spend a lot of time together so it is very easy for us to stay in tune with one another,” explains Georgie.

Their first collection of womenswear featured neoprene pieces but also expanded into other made-to-order pieces as well, such as a thick corduroy suit, loved by men and women alike.

“At our booth in Paris, we had a couple buy the corduroy jacket to share. That was the best,” shares Natalie.

For their second womenswear collection, which comes out later this year, their mutual love of fabric was once again the starting point, but this time it came while roaming around Paris.

“We happened to find a place where extra fabric had been donated from big fashion houses. So what we are actually using are off-cuts, what would have been wasted is now new,” says Georgie.

Photo: Neoss

Natalie expands, “It is a very limited, very small collection. Some pieces we might only make one of. But that’s what makes them special.”

They’ve based their upcoming collection on the constraints the female form has been put under over the centuries. The structured silhouettes seen in their first collection will still be present but they will be integrated into something that is not restricted, as they have also drawn inspiration from body movements and Italian sculptures.

This intention to build on each collection, rather than dismiss their past designs, sets them apart from the fashion design norm. Each collection, after its time, is integrated into the next.

“It’s less disposable this way. We are encouraging people to cherish and look after their clothes,” says Georgie.

In fact, a new section of their website titled Love Me Tender sweetly encourages ways to care for your garments. Sections titled If It’s Broke, Just Fix It and Be Gentle & Be Cool, offer guidance on ‘how to love and care for your clothes so that you can live happily every after and help the planet do the same.’

Photo: Neoss

For Natalie and Georgie, approaching their brand from a sustainable point of view is not about just having a unique selling point.

“Everyone should be doing this. We have one planet. What we hope people understand is that there is a lot of craftsmanship behind the clothes. Sourcing the fabrics takes time, the process is longer. And that’s why it costs a bit more. So instead, save up for something beautiful and buy less,” says Georgie.

At such a young age, the thinking and creative process behind Neoss is as impressive as their skill or their designs. And above all, the connection between the Natalie and Georgie is likewise inspiring.

“Could I have done this with anyone else? I probably couldn’t have. We’re very close. So close that we can be angry at one another, we can be snappy, and the next moment it can be forgotten. And we are lucky in that respect.”

See here for more about Neoss and follow them on Instagram here.

Continue following our fashion & lifestyle coverage on FacebookTwitter, and Instagram.