Most Fashionable Video Game Characters Of All Time

Video games have long been associated with nerd culture, which is often seen as the opposite of fashion. However, if one were to look past what was on the surface, they’d realize that both industries and worlds are deeply rooted in design, and visual and emotional stimulation. While one stimulates by using technology, interaction, and visual stimulus to immerse players into a dream world separate from their own, the other uses visual stimulus, texture, and the promise of luxury and exclusivity to take fashion lovers into a different world. Yet, even though these two worlds are far apart, many designers, both game and fashion, are coming to realize how important one another’s industries are. Nicholas Ghesquiere realized this a few seasons back when he had Louis Vuitton collaborate with legendary video game developer Square Enix for a Final Fantasy themed ad campaign, which was the first ever fashion & video game crossover and opened the doors to an entirely new niche market where video games and fashion come together.

Ivy Valentine — Soul Calibur

Photos: Wikia | Vogue Runway

Soul Calibur’s voluptuous English femme fatale is as deadly as she is stunning. Having been a staple character within the Soul Calibur universe, Countess Isabella Valentine has been featured in all of Soul Calibur’s cannon games as well as many of the game’s spinoffs. And for good reason. Ivy is one of the most easily recognizable characters within the game’s universe, not just for her iconic whip sword or bra size, but for stunningly designed outfits that are equal parts dominatrix and regal, perfectly matching her dominant and savage personality. Emulating Ivy’s look is simple: Look for something with equal parts sex appeal and regal dominance like Redemption.

Dante — Devil May Cry

Photos: Wikia | Vogue Runway

Being born to a demon father and a human mother may come with plenty of struggles, but dressing well isn’t one of them. Since the release of the first Devil May Cry game, Dante has been the spitting image of a rock and roll badass. Now many other video game heroes have donned the go-to leather jacket and combat boot combo, but none have done it with hellish flare like Dante. In his newest incarnation, Dante sports his usual leather get up, but adds some runway flare by making his look less costumey and more realistic, mimicking what’s been seen on the runway time and time again. Recreating Dante’s iconic look is pretty easy, opt for something with nods to rock and roll like John Varvatos.

Bayonetta — Bayonetta

Photos: Wikia | Vogue Runway

Being a witch comes with its perks. Sure mastering gunplay and demonic witchcraft may sound cool at first, but when you realize that Bayonetta uses a portion of her magic to manipulate her own hair into turning itself into an outfit, you realize just how amazing being a witch can be. Imagine never having to buy clothes again. Instead, you can create any outfit your heart desires, from Dior gowns to Alexander Wang jeans — the options are endless when your hair is as malleable as silly putty. To best emulate Bayonetta’s style, look for designers who use heavy weaving and tassels, like Julien Macdonald.

Alucard Tepes — Castlevania

Photos: Wikia | Vogue Runway

What happens when you’re the son of Dracula? Well, you end up with an astounding taste for vintage clothing and gothic romanticism. Alucard Tepes main claim to fame may be his endless fight against his villainous father in the Castlevania universe. However, his historic bloodline shouldn’t be the only thing he’s known for. His character design is among one of the most fashionable and charming within the world of video games. Taking direct inspiration from all things gothic, Alucard emulates the perfect vampire, equal parts handsome and stoic, dark yet inviting. To recreate Alucard’s iconic style, try opting for vintage John Galliano.

Princess Peach — Super Mario

Photos: Wikia | Vogue Runway

You don’t become the single most recognizable female video game character in the world by riding on the coattails of a man. No, you grab him by his coat tails and throw him off the arena. And you do it all with style, grace, and a healthy amount of pink! That’s what’s kept Princess Peach from the Super Mario universe so relevant throughout the many decades she’s graced screens around the world. Not only is she badass in the sweetest way possible, having gone from damsel in distress to racecar driving and fry pan wielding heroine, she’s managed to do it all in her iconic pink ball gown and pointy red pumps. Without dropping her jewelled crown even once! For her look, you’ll have to take a flight to Paris, because this princess’s personal style goes hand in hand with Galliano era Christian Dior. How glamorous is that?

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Met Gala 2018: Fashion & Religion

The Met Gala is essentially fashion’s most important red carpet event of the year. Fashion’s most important editors, models, muses, and designers come together to celebrate fashion in all of its excess and glory. Headed by Vogue USA’s iconic editor-in-chief Anna Wintour, the Metropolitan Museum of Art’s Costume Institute Gala has hosted various themes over the years. Some of which include Alexander McQueen, Punk, The Ballet Russe, Christian Dior, and Royal Indian Costume. What sets the Met Gala apart from every other fashion event during the year is the boundless imagination one can use in either having an outfit created for the night or wearing a designer outfit that not only fits the theme but goes above and beyond it.

The Met has recently released their theme for 2018 and the final verdict is Fashion and Religion. The announcement has been met with some opposition and controversy, with many thinking that it would be highly inappropriate to present religion alongside something as trivial and superficial as fashion. However, countless designers have taken direct inspiration from religion as well as weaving religious iconography and imagery directly into their designs. Just like religious art, religious fashion is an art form that aims at showing the world exactly how different societies and classes view religion and, more importantly, religious institutions and their traditions.

As an avid fan and down right lover of the Met Gala, the announcement of each year’s theme is something that fills me with utter wonder and excitement, knowing that the Costume Institute’s curator-in-charge, Andrew Bolton (husband of famed Amercian designer Thom Browne) will create yet another outstanding exhibit that accurately and respectfully showcases fashion and its accompanying theme. In anticipation for the Gala, I started to brainstorm the theme, wrapping my head around what designers or collections would be the perfect fit for next year’s theme. A few designers came to mind and even more collections came to mind after that. So what better way is there to celebrate the newly announced theme than to create a list of perfect pieces for the upcoming Gala this spring.

Alexander McQueen — Dante / Angels & Daemons

A legend in life and in death, Lee Alexander McQueen was truly a 21st-century pioneer when it came to groundbreaking and boundary pushing design. Andrew Bolton’s Alexander McQueen: Savage Beauty exhibit at the Met already showcased McQueen’s work. However, this time around, Bolton can take full liberty with exhibiting two of McQueen’s greatest collections. Dante and Angels & Daemons both showcase McQueen’s precision and unmatched expertise in design. On one hand, Dante depicts the darker, more indulgent side, wherein the pious hide behind masks of faith to justify their deeds, while Angels & Daemons paints a more realistic, yet completely closed off world where angels and their demonic counterparts reside.

Christian Lacroix — The Virgin Bride

Now, many years have passed since the heyday of Lacroix couture. But no matter the years, no one will ever be able to create a virgin bride the way Monsieur Lacroix did. The ornate mariée’s Christian created were always a staple of his couture collection. They usually strayed from the theme or the tone of the collection to present the image of a pristine woman, untouched by the evils and sins of the world. Apart from their sheer detail and grandeur, what makes Lacroix’s brides standout is the subtle nod to Eastern Orthodox brides, particularly the ornate and regal brides of Georgia.

Christian Dior — Ancient Egypt

The days of Galliano at Dior may be long gone, but the impact he had on the house and the fashion world, in general, can still be seen and felt to this day. There are very little designers in this day and age that have the gall to translate the many visual delights this planet has to offer, and none did it as successfully as Galliano did. Having covered almost every corner of the globe with his designs, it seemed as if Galliano would eventually run out of inspiration to base his collections on until he revealed this masterpiece after a trip to Egypt. Taking outrageous couture to the next level, Galliano unveiled a collection rooted deeply in the myths and legends of ancient Egpyt. Pharaohs and Gods walked the catwalk in gowns made of gold and jewels, perfectly conveying the dominance and extravagance of the ancient Egyptian empire. The most striking visuals in this collection came in the form of jackal heads that resembled Anubis, god of mummification and the afterlife.

Guo Pei — Il Vaticano

Guo Pei is the queen of extravagance and there is nowhere else in the world that is more extravagant than the all-powerful Vatican. It’s its own city, state, and country, and to top it all off, the Vatican even has its own law enforcement and bank. Representing the large population of Roman Catholics, the Vatican heads the largest group of Christians in the world. Some even suggest that the Vatican is the most powerful institution in the world, beating out the world’s most powerful governments. So it comes as no surprise that Guo Pei chose a powerhouse institute to pull inspiration from for her powerhouse brand.

Jean Paul Gaultier — Our Lady of the Seven Sorrows

Jean Paul Gaultier is a master couturier known for many things; cone bras, corsets, and nautical stripes all found their fame at the hand of Gaultier. However, one of his most underrated and outstanding collections has to be his spring 2007 couture show, where the shining hallowed glory of a sorrowful Virgin Mary was presented before the eyes of fashion’s finest. The gentle tears painted on the models’ faces created a visually stunning, yet spiritually familiar feeling, mirroring the crying statues of the Virgin Mary found in many Catholic churches around the world. But what really makes this collection breathtaking is the different incarnations of the Lady of Sorrows. There are hints of Latin American Catholicism, Eastern Orthodox, and European Christianity, showcasing the different views of within the various branches of Christianity.

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Fashion’s Most Daring Fall Looks

When creating a list of “most daring looks,” one shouldn’t directly look to the most outlandish haute couture or the most outrageous and downright unwearable pieces seen in a collection. Daring looks should be something wearable, yet completely out of the box. Something that is entirely everyday, yet distinctly high-fashion in the way it is made and looks. Think of it as the furthest stretch of everyday fashion available.

Ann Demeulemeester

Photo: Vogue Runway

Ann Demeulemeester has always been known for outstanding gothic futurism. The brand practically lives and breathes modern darkness, which often gives room for some extremely avant-garde designs to hit the runway. This specific look for fall 2017 is the perfect mix between vintage romantic goth and modern ease of wear. The stunning oversized shirt dress paired with the elongated leather boot creates a very wearable silhouette while the elegant and exaggerated length of the look push a sense of uncommon extravagance.

Undercover

Photo: Vogue Runway

Undercover’s last runway presentation managed to stir up a lot of buzz within the global fashion community. It’s always been known that Undercover is a brand fit for those daring to wear something a little more out of the box, but the brand’s fall presentation elevated the brand’s reputation for forward-thinking design to the next level. The stunning hole-filled knitted gown in pale mint paired with the exaggerated sleeves and insect like headdress take everyday things and transform them into something far more regal and elegant.

Junya Watanabe

Photo: Vogue Runway

Punk rock has been seeping its way into fashion for quite some time now. At Junya Watanabe, punk hadn’t just seeped in, it was on full display! Rather than keeping with the punk aesthetic in the traditional sense, Watanabe fused punk with contemporary fashion. This created an almost Pierrot like punk interpretation. But what truly makes this ensemble daring for the everyday wearer is the kaleidoscope of print, leather, colour, and patchwork that’s thrown together beautifully to create this look.

Maison Margiela Artisanal

Photo: Vogue Runway

Now Maison Margiela may not be a surprising pick for a list of daring looks, but under the command of John Galliano, Margiela has transformed into a brand focused more on wearable art than just mere outlandish fashion. This particular look from Margiela’s fall artisanal collection embodies just that. Like many of his other creations, this look boasts architectural structure that is no easy feat to accomplish. Yet, the look is still wearable and recognizable as a gauzy trench coat. And apart from some confused or amused looks one may get, this daring look can definitely still be worn on the streets of the world’s fashion capitals.

Miu Miu

Photo: Vogue Runway

Miuccia Prada’s baby, Miu Miu, is no stranger to wild prints and shocking colours. But when Miuccia pairs a plaid fur hat and a warm neutral/pastel colour combination taken straight from the ’60s with a quirky pattern, the result ends up looking more like a vintage costume dream than an everyday office look. Now, most people wouldn’t pair a print this bold as a matching pants and blouse set, but somehow Miuccia makes this work (as usual), giving the world a fun take on the everyday office uniform.

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Iconic Moments in Fashion: The Greatest Runways Ever Made!

Unlike today’s sleek and modern, no-nonsense runways, the world of high fashion runways has always had a sense of extravagance woven throughout.  Every time fashion month rolled around. The fashion world’s largest and most important houses scooped up their immense production budgets and created entirely new worlds for their clients and guests to immerse themselves in. Unfortunately, the era of full-on runway productions has almost entirely come to an end, with only a few of fashion’s powerhouse labels attempting to stick to the old grandiose way of presenting clothing. For this list, shows were picked based on visual impact, as well as aesthetic appeal. And no brand could have more than one entry, even though some of the brands on the list have multiple major motion picture-esque runway shows under their belt.

Louis Vuitton Spring – Summer 2012

Imagine a fairytale theme park. Where the fairest and most delicate of the fair folk frolic and play. Sugar spun in ever colourful is eaten by the handful and the sky glows with stains of baby pink and powder blue. The clouds float about like baby chicks among a candy coloured sky. It’s a princess’s dream world where anything magical is bound to happen. Nothing is impossible and even dream really does come true. And behind the roller coasters, Ferris wheel, and swings lies the grandest of carousels. Horses galloping, frozen in time coated in pastels and glitter. Swirling softly with it organ and mirrors creating an entirely new world separate from the one around it. That’s the beauty of Marc Jacobs‘ genius runway set for Louis Vuitton ss 2012. Taking something as normal as a childhood carousel ride and creating a completely different world.

Alexander McQueen Spring – Summer 1998

The name may conjure up images of something a little displeasing, but Alexander McQueen‘s Golden Shower is the first real example of the achievements that can be made in runway set design. This show was intirely based on pure innovation. Never before had there been a runway show so complex, intriguing and down right dangerous. Models had to strut down a clear plexi glass runway batherd in an artificual rain shower while riotous music pounded the audience and golden yellow lights flashed above. Creating the the perfect fashion thunderstorm that encompassed the anarchy that is Alexander McQueen.

Chanel Spring – Summer 2013

The house of Chanel is eponymous with everything extravagant and expensive, and never has that been more of a visible statement than under the direction of Karl Lagerfeld. His runway shows are the embodiment of extravagance; dreams made real through the handiwork and gargantuan production budget backing Chanel. For spring 2013, Karl had an entire wind turbine field built inside the now famous Palais Royale. Guests were treated to the sight of a solar panel floor gleaming under the lights as massive wind turbines spun overhead. Models weaved around the giant turbines in a glorious cacophony of fashion. Because in Karl’s world, nothing is unattainable and that goes for the quintessential Chanel woman as well.

Dior Fall – Winter 2007

John Galliano has never been one to shy away from sheer theatrical excess and for Christian Dior’s anniversary, the fashion virtuoso created a landscape that was one part Salvador Dali dream, one part castle garden, and another part art museum. Imagine every single bit of inspiration that went into a Dior Couture collections culminating in a massive runway, zig-zagging between various arches, rooms and sets. The runway painted a perfect picture of what goes on in Monsieur Galliano’s head during his creative process. It really was a living breathing midsummer’s night dream. 

Dolce & Gabbana Spring – Summer 2007

Who knew an elevator and plexiglass stairs could create one of the most visually stunning runway shows in the history of runway itself. Dolce & Gabbana are no strangers to creating the most overly extreme runway shows during their mid 2000’s hayday. But it was spring 2007 that set the strandard for what at D&G show should be. As the glass stairs ride out of the ground, the mid 2000’s ice queens descending, with supermodel Snejana Onopka leading the pack in an all out onslaught of sheer fashion. The clear runway completely matched the pvc element of the show and filled the room with “I dont give a damn” attitude that Dolce & Gabanna was known for.

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Paris Fashion Week f/w 2017: The Highlights

Paris is widely accepted as the pinnacle of fashion around the world and for good reason. This season seems to be no exception, with designers pulling out all of the stops to present some of their most exciting and iconic collections yet. There were designers who celebrated milestones by walking down memory lane, while others expressed their takes on modern feminism by pulling from the past. There was even a utopia created completely out of fabric that transcended words. With that said, Novella is proud to present the best of Paris Fashion Week!

Photo: Kim Weston Arnold

Dries Van Noten

It’s been a very long time since I’ve seen a runway show sport such an outstanding roster that it sends me into a flurry of nostalgia with every passing model that came into the camera’s view, but that’s exactly what Dries Van Noten did for his 100th show in Paris. Models from all over the globe strutted down the runway in his creations for the show (some whom have walked his first shows back in the early 90s) in a show of support for Dries’ 20-year long breadth of work. Apart from having the pleasure of seeing the likes of Nadja Auermann and Malgosia Bela strut down the runway, fans around the world were treated to a whirlwind of prints that came straight from the brand’s archives. Noten’s paisleys and florals were dusted off and brought back as a celebration of the brand and its iconic designer. One interesting (and completely appropriate for our current times) aspect of the show was the heavy emphasis on menswear. Coats and suits carried a masculine air that made each of the runway veterans shine with a sense of feminine empowerment.

Photo: Vera Wang

Vera Wang

Sometimes a collection comes along that is so underlooked by the those in the fashion industry that it’s almost maddening. Such was the case at Vera Wang‘s Paris show. The New York native presented her collection in Paris last week only using model Mariacarla Boscono as her muse and beautiful historic building as her background. The entirety of the collection seems to be inspired by the queens of the world, with a heavy emphasis on Napoleonic-era military and aristocratic garb. The beauty of Vera‘s understanding of the female form and understated elegance is completely evident here in the draping and gold embellishments that hark back to a time when what you wore showed the world who you are. And Vera’s woman is that the top of the echelon. Some of the most stunning pieces that came from the collection are an Edwardian empire waist gown that cleverly comes paired with wool sleeve military jacket sleeves and a beautiful gold dress with shearling outerwear sleeves that exudes a sexiness that commands attention. However, dresses weren’t the only thing Ms. Wang had in store for her collection. Various different aspects commanded equal praise through the collection. One important piece that comes to mind is a beautiful ensemble featuring a delicate blouse with exaggerated proportions topped off with a shearling capelet that was grounded by a beautifully tailored pair of French legion style military pants.

Photo: Kim Weston Arnold

Jacquemus

The new king of Parisian design has once again outdone himself for his fall 2017 collection. I remember when a young Simon Porte Jacquemus began showing his collections in Paris. His designs seemed extremely easy going and effortless in comparison to the taught (and sometimes pretentious) standards that Paris demands of its designers. However, the idea of a young self-taught designer pushing through the fashion status quo to present original and inspired ideas was quite exhilarating. This season, Simon struck gold again with another solid collection based on the love story between a rich Parisian woman and a gypsy man from the south of France. The collection features Jacquemus’s tell-tale simplicity, which, as always, tells a far more interesting story than something with unnecessary glitz and sparkle. The collection is riddled with effortlessly fashionable “French-isms” like the simple Napoleon hats and the large gold brooches, that all bring us back to the iconic houses on Place Vendôme that put Paris on the fashion map. Apart from the all-around well-designed clothing, Jacquemus still manages to add his signature touches to the collection in the form of outstanding tailoring that plays on the brand’s fun-loving take on tailoring. Some of the best looks in this collection are the simplest in terms of design and styling — a black coat with a built-in peplum waist and suit ensemble that slightly twists at the waist.

Photo: Kim Weston Arnold

Off-White

A lot of people (myself included) are beginning to become weary and tired of seeing Vetements-isms riddle the runway. It seems as if every designer and their mother are pumping out their own alternatives to the elongated sleeve, oversized everything, puffer-jackets, oversized logo everything. The list goes on and on at this point. Now Off-White is one of those brands that sprang up with the insurgence of the streetwear dominated industry, so it came as no surprise when the brand had its fair share of Vetements inspired pieces in its collection. Fortunately, this season came with a wonderful surprise, designer Virgil Abloh created a fantasy world that echoed the modern freshness of the Off-White client while standing far enough away from any of the overused trends of the past two seasons. His collection left a lasting impression by just exhibiting well made and well put together ensembles that stay relevant to French design and European trends. Two exciting trend that was easily spotted on the Off-White runway was Prince-of-Wales check and denim; the two was intricately mixed with one another to create a complementing look that nestled somewhere in between casual elegance and sports chic. In the end, some visible Vetements-isms were still in the collection, like the mini puffer and hoodie, but they were toned down and given relevant and refreshing reimaging that made sense with the collection, rather than fighting it.

Photo: Monica Feudi

 Miu Miu

Miuccia Prada never fails to wow me. While some designers opt for taking the ideas they presented for their main brands and just altering them for their side ventures, Miuccia consistently delivers news and separate ideas for Miu Miu that only ever rarely echo what Prada is doing at the time. She understands that Miu Miu girl is not her Prada girl and both women need clothing that best represents them, not a mishmash of “either or“. This season, Miuccia created a candy coloured whirlwind for Miu Miu’s fall 2017 collection. The collection, which showcased fur-clad twenty-somethings flouncing down the runway in 60s inspired outfits (an ode to the ladies that launched the first wave of feminism maybe?) presented an interesting and relevant idea. “I am a woman, a Miu Miu woman, and I’m here to be seen!” As every woman should be, which is refreshing in a moment where women’s empowerment is being expressed by how masculine she can dress. The best examples of the what Miuccia is trying to express with feminine strength come later in the show when silky mini dresses were decorated with 3-D fuzzy flowers, wild 60s prints created a strong and imposing silhouette, and pastel coloured furs left a soft yet dominating impression on the viewer.

Photo: Yannis Vlamos

Undercover

I remember distinctly ranting and raving about this collection to our Editor-in-Chief Drew Brow whilst sipping a beer at Toronto Men’s Fashion week. The exact words I used were “I don’t think I’ve cried watching a runway show in such a long time! I was fanning my eyes Drew, I was so emotional!” And it’s true. It really has been years since a designer’s collection made me feel emotional enough to feel my eyes water, but that was exactly the case at Undercover this season. Designer Jun Takahashi presented what may be his magnum opus for Undercover at Paris fashion week last week. The collection was a cornucopia of beautiful looks that were meant to represent the residents of a kingdom or utopia built on extravagance and elegance. Now, while other designers have been rushing to pump out trend heavy and streetwear relivant collections it seems that Jun is in no way, shape, or form willing to water down his vision to accommodate the status quo. His collection was a remarkable ode to the days of Alexander McQueen, Christian Lacroix, and John Galliano at Dior. Where designers were more interested in telling a story through a collection rather than creating a collection whose sole purpose is to feed the retail industry’s need for new trends every season. But enough about the technicalities of the collection, because the clothing far outshines any written explanation that can be given to describe it. There were knitted gowns with accordion sleeves, and draped and gather military coats, velvet pie crust bomber jackets, oversized cable-knit dresses, beautifully printed opera coats, and a queen wearing and accordion pleated ball gown skirt that outshone anything that has been presented on the runway in the past few years. To be completely honest with everyone, no words I write can express the beauty of this collection in all of its regal glory. I implore you to watch the runway video of the show to see just exactly what I’m talking about. You can thank me later.