WTF Wayhome, Ouch Osheaga: Let’s Discuss Cultural Appropriation

I think it’s important for people to check themselves. Is your speech, behaviour, attire, or accessories offensive in some way? If you’re unsure, the answer is probably, Yes.

I was really fortunate this summer and I was able to experience two major music festivals, the Wayhome Music & Arts Festival in Ore Medonte, just outside Barrie, Ontario, and the Osheaga Festival of Music and Art in Montreal, Quebec. Attending these two festivals affirmed my love for my fellow Canadians and the ways in which music can be used as medium to bring people together. I met so many amazing people during my time at these festivals, like-minded individuals from all over Canada (and other parts of the world) who were looking to enjoy their favorite artists and have a good time.

On the other hand, there was one really big issue that I couldn’t get past. Keep in mind, this wasn’t a one time occurrence but several instances in which I was extremely uncomfortable, and unable to understand why those around me didn’t share the same sentiments.

What really irked me throughout the festivals was the abundance of non-POC individuals donning culturally significant items such as bindis, headdresses, cornrows, dreadlocks, dashikis, warpaint, etc. I could go on forever.

WHAT IS CULTURAL APPROPRIATION? 

The definition of cultural appropriation is pretty simple: cultural appropriation is the use of a certain culture by members of another culture wherein the meaning or significance of these cultural ties are lost, misappropriated, and is disrespectful to the culture that it is originally from. Considering this, it’s pretty simple to understand that non-POC individuals, aka white people, are taking advantage of a culture when using it as a part of their costume at a music event.

Cultural appropriation is by no means a new concept, and, this far into the year 2017, I hoped to see changes from past years in which music festivals almost seemed as though they were breeding grounds for white dudes in cornrows and white girls in bindis. It saddens me that this is still a thing.

WHY DOES CULTURAL APPROPRIATION STILL HAVE A PLACE IN OUR FESTIVAL VENUES? 

This question has plagued me for the past few years. How has there been no reform to what people are allowed to wear at these festivals? More over, who perpetuates this trend or gives a “thumbs up” to these perpetrators before heading out the door?

There is a lot to be planned before heading to a festival, and a big part of that preparation is putting together an outfit and making accessory, hair, and makeup choices. Each year, I go through my overflowing closet in hopes of pairing together some makeshift ensemble that is cute and eye-catching and, most important, hasn’t been done before. While it may be hard to find that extra detail that will help make your look standout, I can assure you, it will not be found through the use of someone else’s culture. Do better.

From Alessandra Ambrosio‘s Instagram account. The post reads, “Becoming more inspired for @coachella with this amazing Native American headpiece @jacquieaiche #feathers #festival #coachella #foreveronvacation #inspiration #cocar”
From Kylie Jenner’s Instagram account
From Vanessa Hudgens’s Instagram account. The post reads, “Coachella life. Day 2 =) xx”

Social media often becomes oversaturated with the misuse of culture by the wrong demographic of individuals around festival season, (as seen above) so if the affirmation of a celebrity wearing such items becomes a confirmation for you to do the same if you are a non-POC, that is where we run into some trouble. One may ask, “if I see Kylie Jenner wearing such things, and she looks great, why can’t I?”

There is a long weighted history and discourse behind the argument that I am posing with this article, not all in which I can include. Instead, I am hoping to instead bring light to this topic, in the hopes that it sparks a greater debate between friends.

This is one of the ways that we can make a change.

WHAT DO MUSIC FESTIVALS LIKE WAYHOME AND OSHEAGA HAVE TO SAY ABOUT CULTURAL APPROPRIATION?

I did some research to see what I could dig up about the stance that certain festivals take on the issues I mentioned earlier. There was not a whole lot of information I could find, but, rather, a lot of great articles on the subject. Like I said earlier, I am not the first person to talk about this.

In the case of Wayhome and Osheaga, specifically, here is what I found. After scrolling through an “overview of festival rules” for Wayhome,  the only mention of clothing and/or accessory was through the bullet point stating:

  • No gang clothing and/or gang support shirts.

This bullet point appeared on the list twice. I am unclear as to what this is referring to or in what context Wayhome would qualify a shirt as “gang supporting,” but, nevertheless, I didn’t find another mention of clothing, accessory, or hairstyle. After scrolling further, I did find one more interesting bullet point, under the topic of “additional rules/regs”:

  • No confederate flags.

The fact that this was added to this list sends a red flag to me and really makes me interested in what event must have happened for the organizers to feel they must mention this. In Canada. In 2017. Either I am living in a fantasy world or there are bigger issues about what individuals are bringing to music festivals than I have ever imagined.

Osheaga on the other hand, was a little bit better. In 2015, the festival put a ban on the admittance of:

  • First Nations headdress and other feather headdresses

On their website, they specify that, “The First Nations Headdresses have a spiritual and cultural meaning in the native communities and to respect and honour their people, Osheaga asks fans and artists attending the festivals to not use this symbol as a fashion accessory.” 

This was really important. Osheaga was one of the first major music festivals to take a stand on cultural appropriation and to lend support to the Indigenous community of Canada by creating this rule.

SO… WHAT NOW? 

Here, my friends, we come to our final question: “What exactly can be done?” How would a music festival enforce these rules in practice? The fact is, it is impossible to police. There is no system that will be put in place that will not admit a white person because of a hairstyle or because they chose to wear a bindi.

This brings me full circle back to my frustration, and my understanding that the policing needs to begin within. As I mentioned at the beginning of this article: everyone needs to check themselves, and better yet, check your friends.

There is just no room for excuses. We all play our part, and as tough as a the world is, it’s important that your role in all of this is one that is as unproblematic as possible. There’s too much shit going on.

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