Video games have long been associated with nerd culture, which is often seen as the opposite of fashion. However, if one were to look past what was on the surface, they’d realize that both industries and worlds are deeply rooted in design, and visual and emotional stimulation. While one stimulates by using technology, interaction, and visual stimulus to immerse players into a dream world separate from their own, the other uses visual stimulus, texture, and the promise of luxury and exclusivity to take fashion lovers into a different world. Yet, even though these two worlds are far apart, many designers, both game and fashion, are coming to realize how important one another’s industries are. Nicholas Ghesquiere realized this a few seasons back when he had Louis Vuitton collaborate with legendary video game developer Square Enix for a Final Fantasy themed ad campaign, which was the first ever fashion & video game crossover and opened the doors to an entirely new niche market where video games and fashion come together.
Ivy Valentine — Soul Calibur
Soul Calibur’s voluptuous English femme fatale is as deadly as she is stunning. Having been a staple character within the Soul Calibur universe, Countess Isabella Valentine has been featured in all of Soul Calibur’s cannon games as well as many of the game’s spinoffs. And for good reason. Ivy is one of the most easily recognizable characters within the game’s universe, not just for her iconic whip sword or bra size, but for stunningly designed outfits that are equal parts dominatrix and regal, perfectly matching her dominant and savage personality. Emulating Ivy’s look is simple: Look for something with equal parts sex appeal and regal dominance like Redemption.
Dante — Devil May Cry
Being born to a demon father and a human mother may come with plenty of struggles, but dressing well isn’t one of them. Since the release of the first Devil May Cry game, Dante has been the spitting image of a rock and roll badass. Now many other video game heroes have donned the go-to leather jacket and combat boot combo, but none have done it with hellish flare like Dante. In his newest incarnation, Dante sports his usual leather get up, but adds some runway flare by making his look less costumey and more realistic, mimicking what’s been seen on the runway time and time again. Recreating Dante’s iconic look is pretty easy, opt for something with nods to rock and roll like John Varvatos.
Bayonetta — Bayonetta
Being a witch comes with its perks. Sure mastering gunplay and demonic witchcraft may sound cool at first, but when you realize that Bayonetta uses a portion of her magic to manipulate her own hair into turning itself into an outfit, you realize just how amazing being a witch can be. Imagine never having to buy clothes again. Instead, you can create any outfit your heart desires, from Dior gowns to Alexander Wang jeans — the options are endless when your hair is as malleable as silly putty. To best emulate Bayonetta’s style, look for designers who use heavy weaving and tassels, like Julien Macdonald.
Alucard Tepes — Castlevania
What happens when you’re the son of Dracula? Well, you end up with an astounding taste for vintage clothing and gothic romanticism. Alucard Tepes main claim to fame may be his endless fight against his villainous father in the Castlevania universe. However, his historic bloodline shouldn’t be the only thing he’s known for. His character design is among one of the most fashionable and charming within the world of video games. Taking direct inspiration from all things gothic, Alucard emulates the perfect vampire, equal parts handsome and stoic, dark yet inviting. To recreate Alucard’s iconic style, try opting for vintage John Galliano.
Princess Peach — Super Mario
You don’t become the single most recognizable female video game character in the world by riding on the coattails of a man. No, you grab him by his coat tails and throw him off the arena. And you do it all with style, grace, and a healthy amount of pink! That’s what’s kept Princess Peach from the Super Mario universe so relevant throughout the many decades she’s graced screens around the world. Not only is she badass in the sweetest way possible, having gone from damsel in distress to racecar driving and fry pan wielding heroine, she’s managed to do it all in her iconic pink ball gown and pointy red pumps. Without dropping her jewelled crown even once! For her look, you’ll have to take a flight to Paris, because this princess’s personal style goes hand in hand with Galliano era Christian Dior. How glamorous is that?
The Met Gala is essentially fashion’s most important red carpet event of the year. Fashion’s most important editors, models, muses, and designers come together to celebrate fashion in all of its excess and glory. Headed by Vogue USA’s iconic editor-in-chief Anna Wintour, the Metropolitan Museum of Art’s Costume Institute Gala has hosted various themes over the years. Some of which include Alexander McQueen, Punk, The Ballet Russe, Christian Dior, and Royal Indian Costume. What sets the Met Gala apart from every other fashion event during the year is the boundless imagination one can use in either having an outfit created for the night or wearing a designer outfit that not only fits the theme but goes above and beyond it.
The Met has recently released their theme for 2018 and the final verdict is Fashion and Religion. The announcement has been met with some opposition and controversy, with many thinking that it would be highly inappropriate to present religion alongside something as trivial and superficial as fashion. However, countless designers have taken direct inspiration from religion as well as weaving religious iconography and imagery directly into their designs. Just like religious art, religious fashion is an art form that aims at showing the world exactly how different societies and classes view religion and, more importantly, religious institutions and their traditions.
As an avid fan and down right lover of the Met Gala, the announcement of each year’s theme is something that fills me with utter wonder and excitement, knowing that the Costume Institute’s curator-in-charge, Andrew Bolton (husband of famed Amercian designer Thom Browne) will create yet another outstanding exhibit that accurately and respectfully showcases fashion and its accompanying theme. In anticipation for the Gala, I started to brainstorm the theme, wrapping my head around what designers or collections would be the perfect fit for next year’s theme. A few designers came to mind and even more collections came to mind after that. So what better way is there to celebrate the newly announced theme than to create a list of perfect pieces for the upcoming Gala this spring.
Alexander McQueen — Dante / Angels & Daemons
A legend in life and in death, Lee Alexander McQueen was truly a 21st-century pioneer when it came to groundbreaking and boundary pushing design. Andrew Bolton’sAlexander McQueen: Savage Beauty exhibit at the Met already showcased McQueen’s work. However, this time around, Bolton can take full liberty with exhibiting two of McQueen’s greatest collections. Dante and Angels & Daemons both showcase McQueen’s precision and unmatched expertise in design. On one hand, Dante depicts the darker, more indulgent side, wherein the pious hide behind masks of faith to justify their deeds, while Angels & Daemons paints a more realistic, yet completely closed off world where angels and their demonic counterparts reside.
Christian Lacroix — The Virgin Bride
Now, many years have passed since the heyday of Lacroix couture. But no matter the years, no one will ever be able to create a virgin bride the way Monsieur Lacroix did. The ornate mariée’s Christian created were always a staple of his couture collection. They usually strayed from the theme or the tone of the collection to present the image of a pristine woman, untouched by the evils and sins of the world. Apart from their sheer detail and grandeur, what makes Lacroix’s brides standout is the subtle nod to Eastern Orthodox brides, particularly the ornate and regal brides of Georgia.
Christian Dior — Ancient Egypt
The days of Galliano at Dior may be long gone, but the impact he had on the house and the fashion world, in general, can still be seen and felt to this day. There are very little designers in this day and age that have the gall to translate the many visual delights this planet has to offer, and none did it as successfully as Galliano did. Having covered almost every corner of the globe with his designs, it seemed as if Galliano would eventually run out of inspiration to base his collections on until he revealed this masterpiece after a trip to Egypt. Taking outrageous couture to the next level, Galliano unveiled a collection rooted deeply in the myths and legends of ancient Egpyt. Pharaohs and Gods walked the catwalk in gowns made of gold and jewels, perfectly conveying the dominance and extravagance of the ancient Egyptian empire. The most striking visuals in this collection came in the form of jackal heads that resembled Anubis, god of mummification and the afterlife.
Guo Pei — Il Vaticano
Guo Pei is the queen of extravagance and there is nowhere else in the world that is more extravagant than the all-powerful Vatican. It’s its own city, state, and country, and to top it all off, the Vatican even has its own law enforcement and bank. Representing the large population of Roman Catholics, the Vatican heads the largest group of Christians in the world. Some even suggest that the Vatican is the most powerful institution in the world, beating out the world’s most powerful governments. So it comes as no surprise that Guo Pei chose a powerhouse institute to pull inspiration from for her powerhouse brand.
Jean Paul Gaultier — Our Lady of the Seven Sorrows
Jean Paul Gaultier is a master couturier known for many things; cone bras, corsets, and nautical stripes all found their fame at the hand of Gaultier. However, one of his most underrated and outstanding collections has to be his spring 2007 couture show, where the shining hallowed glory of a sorrowful Virgin Mary was presented before the eyes of fashion’s finest. The gentle tears painted on the models’ faces created a visually stunning, yet spiritually familiar feeling, mirroring the crying statues of the Virgin Mary found in many Catholic churches around the world. But what really makes this collection breathtaking is the different incarnations of the Lady of Sorrows. There are hints of Latin American Catholicism, Eastern Orthodox, and European Christianity, showcasing the different views of within the various branches of Christianity.
To some, the outlandish tactics used to garner attention within the fashion industry may seem like ridiculous attempts to either shock or put out confusing jumbles and present them as art. And though that may be true to a certain extent, there is one area where designers, film makers, photographers, and artists all agree: that bigger and bolder is always better. Fashion ad campaigns are one of the most important things that brands put out throughout the year, second only to the products made by the brand itself. They showcase the created message that may not have reached its audience during the initial runway show. Here, the entire creative team can create a fantasy world based on the collection, fragrance, cosmetic, or accessory that the ad is based on, taking whatever unanswered questions the collection left behind and filling in the blank spots on the canvas.
Christian Dior Fall 2017-18
Although some may say that Maria Grazia Chiuri’s work at the iconic house of Dior is lacklustre, it’s undeniable that this ad campaign injects brute strength that may have been missing during the show. With Dior favourites like Ruth Bell and Fernanda Ly, the original idea of outfitting a strong and unapologetic woman in Dior is completely evident in this campaign. The pulsing, industrial music and stark black and white create an air of strength that follows each model as they twirl, stomp, and pose in their black leather berets.
Valentino Menswear Fall 2017-18
Menswear sometimes gets a bad rep of being the less inspired and completely out of touch brother to high fashion womenswear. However, many brands are starting to take notice on how important the men’s fashion has become. Valentino is definitely one of those brands. In recent years, Valentino has made amazing strides in taking their brand from luxury tailoring to here and now men’s fashion. Valentino is no longer your rich grandfather’s go-to suit, and their campaign for fall proves just that. Placing their models in a modernized version of punk London, the ad pushes the idea that Valentino is a brand that’s as fresh and as new as the millennials it wants to attract.
Gucci Fall 2017-18
Gucci‘s creative head, Alessandro Michelle, is no stranger to transforming a brand into a contemporary go-to. Not long after joining the brand, Michelle was able to turn the ever increasingly forgettable brand into the most talked about and coveted Italian name in the fashion industry today. For their Fall campaign, Gucci not only channelled the same cacophonic parade of colour and texture that’s brought it back to life, but also channelled something that’s become a staple in millennial style; nostalgia for times far before their childhood. The ad features the all too familiar setting of a psychedelic ’70s like space adventure that mirrors the bright rainbow of colour, texture, and inspiration that Gucci is all about.
Oscar De La Renta Fall 2018-17
Since taking the helm at Oscar De La Renta almost a year ago, Laura Kim and Fernando Garcia have thrust the brand into an interesting place. Hovering delicately between modern edge and old world glamour, the brand that has dressed the likes of Laura Bush and Sarah Jessica Parker is eagerly awaiting to see whether the fashion world buys into its new image. One key element in helping its audience understand the new De La Renta image is fashion icon Mariacarla Boscono who was the face of Renta’s fall campaign. Her strikingly alien face and sharp gaze helped sew together the contemporary edge that Kim and Garcia wish to bring to the brand with the grace and glamour that Oscar established years ago.
Miu Miu Fall 2017-18
Miuccia Prada is a fashion genius. No one is able to reinvent two brands simultaneously every season and keep the look and the ideas of the brands fresh and exciting the way she does. So it comes as no surprise that her brilliant collection for Miu Miu now comes with a brilliant ad campaign. Borrowing heavily from the collections fuzzy bubblegum-60s mod fusion, the ad takes its viewer through a pastel coloured journey that takes place in an old movie theatre where models (including Kate Moss!) all sit and watch a grainy Lousiana Bayou short film featuring the models themselves. And if seeing Kate Moss decked out it groovy Miu Miu is not enough, then seeing Adwoah Aboah and other stunning models of colour dominate the ad should be more than enough incentive to fall in love with this light hearted ad!
Unlike today’s sleek and modern, no-nonsense runways, the world of high fashion runways has always had a sense of extravagance woven throughout. Every time fashion month rolled around. The fashion world’s largest and most important houses scooped up their immense production budgets and created entirely new worlds for their clients and guests to immerse themselves in. Unfortunately, the era of full-on runway productions has almost entirely come to an end, with only a few of fashion’s powerhouse labels attempting to stick to the old grandiose way of presenting clothing. For this list, shows were picked based on visual impact, as well as aesthetic appeal. And no brand could have more than one entry, even though some of the brands on the list have multiple major motion picture-esque runway shows under their belt.
Louis Vuitton Spring – Summer 2012
Imagine a fairytale theme park. Where the fairest and most delicate of the fair folk frolic and play. Sugar spun in ever colourful is eaten by the handful and the sky glows with stains of baby pink and powder blue. The clouds float about like baby chicks among a candy coloured sky. It’s a princess’s dream world where anything magical is bound to happen. Nothing is impossible and even dream really does come true. And behind the roller coasters, Ferris wheel, and swings lies the grandest of carousels. Horses galloping, frozen in time coated in pastels and glitter. Swirling softly with it organ and mirrors creating an entirely new world separate from the one around it. That’s the beauty of Marc Jacobs‘ genius runway set for Louis Vuitton ss 2012. Taking something as normal as a childhood carousel ride and creating a completely different world.
Alexander McQueen Spring – Summer 1998
The name may conjure up images of something a little displeasing, but Alexander McQueen‘s Golden Shower is the first real example of the achievements that can be made in runway set design. This show was intirely based on pure innovation. Never before had there been a runway show so complex, intriguing and down right dangerous. Models had to strut down a clear plexi glass runway batherd in an artificual rain shower while riotous music pounded the audience and golden yellow lights flashed above. Creating the the perfect fashion thunderstorm that encompassed the anarchy that is Alexander McQueen.
Chanel Spring – Summer 2013
The house of Chanel is eponymous with everything extravagant and expensive, and never has that been more of a visible statement than under the direction of Karl Lagerfeld. His runway shows are the embodiment of extravagance; dreams made real through the handiwork and gargantuan production budget backing Chanel. For spring 2013, Karl had an entire wind turbine field built inside the now famous Palais Royale. Guests were treated to the sight of a solar panel floor gleaming under the lights as massive wind turbines spun overhead. Models weaved around the giant turbines in a glorious cacophony of fashion. Because in Karl’s world, nothing is unattainable and that goes for the quintessential Chanel woman as well.
Dior Fall – Winter 2007
John Galliano has never been one to shy away from sheer theatrical excess and for Christian Dior’s anniversary, the fashion virtuoso created a landscape that was one part Salvador Dali dream, one part castle garden, and another part art museum. Imagine every single bit of inspiration that went into a Dior Couture collections culminating in a massive runway, zig-zagging between various arches, rooms and sets. The runway painted a perfect picture of what goes on in Monsieur Galliano’s head during his creative process. It really was a living breathing midsummer’s night dream.
Dolce & Gabbana Spring – Summer 2007
Who knew an elevator and plexiglass stairs could create one of the most visually stunning runway shows in the history of runway itself. Dolce & Gabbana are no strangers to creating the most overly extreme runway shows during their mid 2000’s hayday. But it was spring 2007 that set the strandard for what at D&G show should be. As the glass stairs ride out of the ground, the mid 2000’s ice queens descending, with supermodel Snejana Onopka leading the pack in an all out onslaught of sheer fashion. The clear runway completely matched the pvc element of the show and filled the room with “I dont give a damn” attitude that Dolce & Gabanna was known for.
One interesting thing that most people don’t know about is that many of the world’s most beloved brands and fashion houses actually make the majority of their profits through accessories. Brands like Prada and Dior are tasked with creating new and exciting bags, shoes, jewellery, and more to drive sales through the roof.
Some brands are even blessed with the gift of having almost their entire yearly revenue derived from the sales of their non-clothing goods. That just goes to show how important accessories really are to the fashion industry itself. They aren’t just afterthoughts or cherries on top to add “a little something” to the collection. They’re there to seal the deal on whether one loves a collection or skips it. Here are Novella’s top picks for best accessories of fall/winter 2017.
Prada: As she does every year, Miuccia Prada released a coveted selection of bags that are sure to end up on everyone’s must have list. Ranging from all black and all baby blue shoulders bags, green ostrich feather handbags, nylon satchels, and python skin to fur-covered confections and printed leather bags, Prada outdid itself once again in creating an innovative and versatile collection of handbags for every occasion. However, one bag stood out from the pack. A bag that clearly played off the brand’s fall 2017 collection of book bags. Like its predecessors, this new bag resembles a leather bound book, but this time the entire bag is comprised of velvet, giving the bag a quirky 70’s feel.
Miu Miu: Just like her bags at Prada, Miuccia’s Miu Miu bag collection is another beautiful example of how well-rounded a designer she really is. This season, Prada’s younger sister released a groovy collection of bags that mirrored the collection’s feminine 60’s flare. There were bags with fur handles and bags with large glamorous brooches. But the most interesting pick of the collection was a selection of bags that had “Miu Miu” stitched all over the bag in a stunning psychedelic swinging 60’s font.
Jacquemus: Simon Porte Jacquemus has been one of the only designers of late to actually produce worthwhile collections. And although the statement may seem a little extreme, it’s completely called for in Simon’s case. For his fall 2017 collection, Jacquemus gave the fashion world one of the most creative and innovative bags to date. Gone are the days of his “haricot” bags and wallets — his newest offering comes in the shape of an upside down envelope, mirroring the bags a bourgeois woman of the 1950’s would have worn in Paris. The greatest thing about this bag is that it carries (no pun intended) all of the things that define French clothing (like the gold chain and old world shape) and literally turns it on its head, thereby making the bag distinctly Jacquemus yet still very much French in design.
Chloe: Chloe has always been a staple in exceptional bag making and this season just another testimony to that statement. This season’s it girl bag has to be Chloe’s white sand coloured circle crossbody bag. The adorable bag is the perfect run around bag that matches any outfit, plus the brass coloured metal handle adds that perfect bohemian touch that Chloe has always been known for. And the best part is that the bag looks as if it will be available in a multitude of neutral and dark colours to suit any preference and need!
Altuzzara: The last bag on the list is by far the most traditional of the bunch, but that isn’t to say the bag is in anyway doughty or matronly. This Altuzzara handbag came in a stunning array of complementary colours that suited every look in the collection perfectly, which is also a plus. But the best part about this season’s Altuzzara bag had to be its simple design and decoration. There were no gimmicks here. Just a beautifully designed leather bag with an accompanying flower that would make even the most elite of New York’s Upper East Side squeal with delight.
Gucci: Leave to Alessandro Michele create a cowboy inspired 80’s ankle boot that actually looks amazing. During his latest Gucci show, Michele sent out a real throwback of a shoe that was completely off colour to what has been going on at Gucci. The bright white bootie comes complete with an almost Wild West/almost Eastern European embroidered floral design that fits the brand’s outstanding new vision perfectly. On top of that, the boot itself is perfect for the 80’s revival trend that has been sweeping the fashion world this season.
Tory Burch: Tory Burch is a brand that has more recently been associated with wealthy soccer mom chic, rather than high fashion fallal. But this season, the American brand looked as if it was trying to shed its current plateau and engage new customers. And the shoe of the show did just that. This beautifully ornate Tory Burch heel burst onto the catwalk with one thing in mind — to make a statement. And that it did. The stunning heel pulled out all the stops to command attention; the sculptural heel, European style brocade pattern, and a beautiful oversized bow harked back to imperial French court glamour. It’s safe to say that Tory Burch is finally making fashion and that’s a wonderful thing.
Maison Margiela: The incomparable John Galliano has made a new name for himself at Margiela since his arrival at the iconic Belgian house. Every season it seems that Mr. Galliano has fresh and innovative ideas for his clientele’s eyes to feast on. For this season’s Margiela show, Galliano presented a knee length boot in an ever-so-relevant 70’s inspired silhouette. The boot, which features an ultra feminine pencil thin heel and deep ochre coloured python print, resemble the same heeled boots that independent and fashionable women wore back in the 1970’s, making it an instant buy on any trend followers must have list.
Rochas: Rochas has always been spot on when it comes to gloriously elegant women’s clothing. This season at Rochas, viewers were treated to the most darling of pumps one could ever imagine. The shoe, which looked to have taken inspiration from 1950’s fetish heels and Marie Antoinette court shoes, are as prim and proper as any shoe can get. And that beautifully placed heel makes the entire shoe look even more delicate and glamorous.
Thom Browne: Thom Browne has never been one to shy away from designing things that many would consider outlandish, but that’s exactly why he’s on this season’s “best of” list. For his winter wonderland inspired show, Browne created a heel that features his trademark all-American brogues crossed with an interesting hollow wedge heel made to look like a figure skater’s blade. The shoe is a testament to how amazing a designer Browne is. Not only is the shoe perfectly designed to fit, it also carries one of Thom Browne most easily recognizable trademarks. On the front of the shoe, a small shirt and tie can be seen peeking out from right under the ankle, showing any potential customers that Thom Browne’s quirky suiting is never too far away.
Christian Dior: Berets have been the go-to headpiece of the season and the hardworking ateliers at Christian Dior were definitely paying attention. For fall 2017, Dior had berets coming down the runway in full force. Part French go-to, part pro-feminist statement. The berets conjured up images of strong warrior women ready to fight for female freedom and independence.
Loewe: Jonathan Anderson has been wowing audiences in London and Paris for quite some time now, so it comes as no surprise that the British wunderkind presented another spot on collection for Loewe this season. The collection itself is a mishmash of all of the most beautiful things that Anderson has designed in the past, with the tiniest hint of European village life. This is where the hat comes in. The darling straw hat isn’t overbearing and ostentatious like many straw sunhats that have been shown on the runway. This adds to Anderson’s rendition’s charm. Rather than making the hat comical and theatrical, the small brim size gives the sunhat an air of authenticity and realness.
Coach: Coach is another one of those brands that ran into an extremely commercial plateau for quite a while. However, recently the brand has beefed up their designs and created relevant and exciting collections to lure would-be buyers in. For fall 2017, Coach has managed to design a wonderfully trendy hat for the young streetwear wise dressers of the world. With its fluffy shearling outer layer, the hat seems like the perfect alternative to a beanie for those chilly New York nights.
Adam Selman: Now this may not be the most traditional hat, but that doesn’t take away from how interesting a topper it is. At Adam Selman’s show during NYFW17, audiences were treated to a quirky little birdcage fascinator that was equal parts adorable and badass. Like 1950’s motorcycle gang chicks, the models stormed out with powerful little flowers on their heads and the best part about them is their versatility. Not only could you wear them with jeans and a leather jacket, but you could easily pair the fascinator with a beautiful black cocktail dress for more formal events.
Marc Jacobs: Marc Jacobs has always been fashion’s little rebel. Taking everyday trends from past and present and turning them into high fashion concepts. For his fall collection, the inspiration was clear. 70’s and 80’s urban and hip hop culture reigned supreme on the runway and it was perfectly evident in Jacobs accessories. This puffy hat is a perfect alternative to your traditional winter beanie. Instead of having a regular old boring knitted winter hat, you can have this interesting oversized retro beanie instead.
Anna Sui: Anna Sui is one of those designers who has and will always march to the beat of her own drum. Since the early 90’s, Anna has been creating collections that are distinctly her own. This season’s Anna Sui sunnies follow in her great tradition of doing her own thing. The blue sunglasses feature a theatrical angular cat eye that is only further enhanced by their bright cobalt shade. The glasses also perfectly compliment the collections 1920’s/1970’s bohemian chic aesthetic, giving the wearer the glamour of a traditional cat eye with a bright pop of a mod colour.
Acne: The beauty of Acne is in its simplicity. While other brands thrive off of creating elaborate shows and collections, Acne has blossomed into a fashion powerhouse by infusing Swedish minimalism with high fashion appeal. And this is perfectly evident with this season’s sunglasses. The shades for fall/winter 2017 were simple in their construction. Two thin silver arms hold the angular coloured lenses in place to create a psychedelic feel to the glasses. Think John Lennon à la 2017 high fashion mod. But the quirky simplicity of these sunglasses aren’t the only selling points here. The glasses are actually quite versatile. They can be paired perfectly with a casual pair of jeans and a band t-shirt or glammed up with a silk neck-tied blouse, wide leg pant, and a floppy summer hat.
Anya Hindmarch: Anya Hindmarch’s entry into the industry as an accessories designer must be what pushes her to create an interesting range of accessories that are completely relevant, on-brand, and desirable outside of her own already spectacular clothing lines. Her fall 2017 sunglass collection just goes to show that she understands what her customers want. She could have easily made a pair of sunglasses with a simple frame and lens for her collection, but instead she chose to create a fur trimmed pair of sunglasses that more closely resembled a pair of skiing goggles. The fun, fur trimmed sunglasses add that perfect wintery feeling to an accessory that’s usually associated with warmer weathers and the summer months, giving the overall look a high fashion après ski feeling.
Fendi: Fendi is an accessory giant. Like its other Italian contemporaries, Fendi owes much of its success to its sales in trendy and in demand accessories. Usually known for its outlandish designs, Fendi presented a surprising take on sunglasses by creating a clean and perfectly polished pair of circular sunglasses. The posh specs fit spectacularly with the cool and composed vibe of the collection. It just goes to show that sometimes simplicity really is key!
Sacai: Sacai is a brand that has garnered a huge following over the years. And it’s easy to see why. This season’s sunglasses are in fact the most visually stunning, adorned with a number of butterflies framing the arms and lenses. These Sacai delights are perfect for commanding total attention when walking into a room. The one possible downfall of these sunnies may be their theatricality, but that’s also their the biggest allure. The beautifully decorative butterfly wings add an old world whimsy to the glasses that has slowly been coming back into fashion. And why not enjoy these shades all year-round? They would make the perfect winter pop of summery colour and the perfect summer conversation piece.