Novella’s Art Guide February 2018

Untitled by Yannick Anton. Showing at “Of Ourselves” this month.

Our art guide rarely has a unifying theme. Normally, we trowel through the galleries in town to find what looks the most promising and relay it here, but for February, for Black History Month, we have compiled a list of solo and group art exhibitions and festivals solely featuring Black artists. We invite you to take note of these events, as a member of the Black Community an ally, to further your understanding and education on their perspectives.

BLACK ART AND LIBERATION: A PANEL DISCUSSION (FEBRUARY 16TH)

Our first pick is not a show but a panel, taking place on the 16th of February. While we’re always about appreciating art through individual viewing, we also need to showcase an event such as this, where art, identity and inclusion intersect beautifully. The panel features four Black artists: Dainty Smith, Ekow Nimako, Samson Brown and Rania El Mugammar. Each artist will discuss how they build inclusion and liberate themselves within their respective mediums.

Find more information here.

MICHAEL CHAMBERS (JANURARY 25TH — MARCH 18TH)

At BAND, their aim is to present works by Black artists, both in Canada and from around the world and connect them to a large audience. This month, their gallery will host a retrospective this month for acclaimed photographer Michael Chambers. Curated by Pamela Edmonds, the show will feature Chamber’s stunning photographs of nude bodies, which touch on themes of sexuality, desire, diaspora and belonging.

Find more information here.

HERE WE ARE: BLACK CANADIAN CONTEMPORARY ART (JANUARY 27TH — APRIL 22ND)

Beginning in January, the Royal Ontario Museum has put on a new show featuring the works of nine contemporary Canadian Black artist. Artists featured in the exhibition include Sandra Brewster, Michèle Pearson Clarke, Chantal Gibson, Sylvia D. Hamilton, Bushra Junaid, Charmaine Lurch, Esmaa Mohamoud, Dawit L. Petros and Gordon Sadrach. Each artists works in multi media, so the installations will vary from sculpture to painting to film, but each will evoke powerful images of the presence and history of Black people in Canada.

Find more information here.

OF OURSELVES (FEBRUARY 1ST — FEBRUARY 24TH)

The Gladstone Hotel’s February exhibition features works by Toronto-based photographers Yannick Anton, Curtiss Randolph, Nathalia Allen and Neva Wireko. The over-arching theme of the show is Black identity as it was described by writer W.E.B. DuBois, describing the Black person as having two selves: their true self and the one forced on them by the outside world. The artists engage with this concept in their own ways, creating portrayals of Black identity from the perspective of the portrayed.

Find more information here.

TORONTO BLACK FILM FESTIVAL (February 14th — 19th)

Film, in and of itself, is a  visual art form. Though it is far more commercialized than other media and collaborative by nature, it is visual storytelling with the ability to initiate debate and evoke emotion. While we don’t normally put film festivals in our guides, this month we’re making an exception for a festival that needs to be written about. Now in its fifth year, the Toronto Black Film Festival (or TBFF) aims to showcase some of the best Black films from around the world and act as a platform for independent Black filmmakers. The festival has everything from full-length documentaries and narratives, to shorts, to animated films, so there will be something of interest to even the most dubious of viewers.

Find more information here.

Novella’s October Art Guide 2017

Hamilton by Cosmo Campbell. Image Source.

For the month of October, we’re all about context and interpretation. The way we see objects, the way we interact with those around us, the way we recall events and count stories — these things are particular to each person. We all operate from within our own sets of understanding, from context our brain supplies and events filtered through our consciousness. Perspective is such a funny thing. It can be so ingrained in us and yet a single idea or an image can upset it and alter our understanding. We invite you to interact with our choices of art exhibition this month to engage with a little perspective destabilization.

NORVAL MORRISSEAU & CHRISTIAN MORRISSEAU (SEPTEMBER 21ST — NOVEMBER 5TH)

Legendary Ojibwe artist Norval Morrisseau passed away in 2007, but his legacy continues on in his artwork and his children. His youngest son, Christian Morrisseau, an accomplished artist in his own right, takes the knowledge and traditions his father taught him and adds his own perspective and interpretation on them. This exhibition, featuring work from both Norval and Christian, will be displayed in three different galleries inside the Distillery District: The Stone Distillery Gallery, The Cooperage Space, and a pop-up gallery at 30 Parliament Street. So, they’re making it easy for you to take in some truly incredible art and to experience a cross-generational tradition.

Learn more information here.

AT HOME WITH MONSTERS (SEPTEMBER 30TH — JANUARY 7TH)

I’m of the opinion that Mexican filmmaker Guillermo del Toro is a master world builder, and the chance to look through his personal collections of art, artefacts, and props is not something I want to pass up. This exhibition serves as a window into del Toro’s inspiration and life, and is thematically, rather than chronologically, organized. There will be an assumedly eclectic mixture of genre and medium, all things that del Toro says have inspired him to create his impressive body of work. While the exhibition will run at the AGO until January, what better time to visit some monsters than October?

More information here.

NOCTURNAL TOURIST (OCTOBER 5TH — 19TH)

If you’ve ever felt strange inside a gas station, an empty school, an airport terminal, or a parking garage, you’ve engaged with the idea of liminal spaces — places our brains have hardwired for a certain context and when they are removed from that context, the image is destabilized. They can also be transitional places, as in somewhere you wind up in on the way to a particular destination. Liminal spaces fascinate me, and if you feel the same way, you’re going to want to see Cosmo Campbell’s photography exhibition at The Black Cat Artspace. Campbell photographed places and objects that are normally busy during the daytime at night, switching the focus from people to the object or places themselves and changing their contexts. If you have no idea what I was talking about with liminal spaces, then consider this exhibit an introduction.

More information here.

AN UNNATURAL HISTORY (OCTOBER 5TH — NOVEMBER 2ND)

This upcoming group show at the Etsy Street Team Gallery aims to bend fact and fiction and question what is natural and what is unnatural. Artists Kathryn Bell, Kristen D’Aquila, Duncan Wilder, Lavina Hanachiuc, Mar Hester, Holly McClellan, Judith Pudden, Kest Schwartzman, Rosemary Stehlik, Tosca Taran, Pati Tozer, Elaine Whittaker, Ele Willoughby, and Cynthia Winters all bring their own interpretations of ideas based in imagination but supported by fact. If you think made up stuff is strange, you have no idea how strange science and math can be. (And if you want to get extra weird, there’s a reception on Friday the 13th.)

More information here.

SPACES OF PASSAGE (OCTOBER 5TH — NOVEMBER 5TH)

Jean-Luc Lindsay’s paintings are exercises in perspective in two different ways: first is the medium itself. Lindsay’s stark realism is so skillful that, at a first glance, I did think one was a photograph. Of course, upon closer inspection, the painting technique is clear. The subject matter, however, is also worth a double take. Lindsay’s seemingly mundane subjects are revisited with artistic detail, revealing patterns and qualities we wouldn’t see in scenery we pass by everyday on the sidewalk. Something like a door propped up against a fence takes on new meaning and warrants new considerations. Lindsay’s paintings will be at Project Gallery all month long.

More information here.

Novella’s September Art Guide

Fault Line by Phil Irish. Image source.

In times of crisis, art becomes more necessary than ever. It can be a direct response, a backlash, a coping mechanism, or an escape. In a time when it seems as though most news is bad news, we invite you to engage in some of the finest art exhibitions the city has to offer this month. Here, you will find works that will make you laugh, make you think, or take you somewhere else. Consider this not a break from the world’s problems, but a reminder of other things that come with being human.

hahahahuh (AUGUST 31ST — SEPTEMBER 23RD)

Tessar Lo’s artwork fits perfectly into the current cultural brain: a little strange, a little funny, and with a lot hidden underneath the surface. Lo employs images of mundane objects — a toy, a piece of fruit, etc. — and renders them with potential to become metaphoric symbols of life in the modern age. The Indonesian-born artist’s paintings exist in the space between humorous and mysterious, between utter bewilderment and the urge to make a joke. This is the same dichotomy that exists on our own mediums for expression, most clearly demonstrated on Twitter, where the first reactions to bad news or shocking events are shock, rage, and dark humour. Look to Project Gallery to see Lo’s work for yourself this month.

Learn more here.

ANNIE POOTOOGOOK (SEPTEMBER 2ND — FEBRUARY 11TH)

The newest exhibition at the McMichael Canadian art Collection is a feature on the work of award-winning Inuk artist Annie Pootookgook and her influence on her peers. The exhibition will feature a number of Pootoogook’s drawings as well as works by Shuvinai Ashoona, Jutai Toonoo, Ohotaq Mikkigak, Siassie Kenneally, and Itee Pootoogook. This examination of contemporary Inuk art recognizes Annie Pootoogook as the catalyst in opening up new conversations for Inuk artists and new streams of expression. While the McMichael Collection is all the way up in Kleinburg, the drive is worth it to see Pootoogook’s wistful and wonderful works, and an in-depth look into contemporary Inuk artists.

Learn more here.

SKATE GIRLS OF KABUL (SEPTEMBER 5TH — OCTOBER 8TH)

For the first time in North America, photographs will be shown from Jessica Fulford-Dobson’s time spent with the young participants of Sakeistan, an NGO founded in 2009 to provide kids with a safe place to skateboard and access to education in Afghanistan, Cambodia, and South Africa. The result is a series of photographs showing girls skateboarding that is simple in construction, but is also entirely moving, uplifting, and empowering. It’s a celebration of girls not only being able to undermine gender stereotypes, but also enjoy being children. The photographs will be up in a free exhibition at Aga Kahn Park for the month, and in a time when chaos is the norm, I highly recommend taking in something like this that is just inherently positive.

Learn more here.

PEAK VELOCITY (SEPTEMBER 6TH — OCTOBER 6TH)

Phil Irish’s upcoming exhibition at the Lonsdale Gallery will feature dynamic paintings of mountain peaks and breaking sunlight over aluminum structures built by the artist. The clear conflict between natural wonder and industrial development exemplifies Irish’s time spent in Western Canada, trying to reconcile the overwhelming presence of the Rocky Mountains with the existence of the Athabasca Oil Sands. In the place where the natural and unnatural meet, Irish created these beautiful and unusual works as a way for viewers to examine how we have caused these two very different forces to coexist in our world.

Learn more here.

THE LAST DAYS OF VACATION (SEPTEMBER 7TH — 30TH)

Renowned Italian photographer and artist Paolo Ventura will have his first solo Canadian exhibition at the Nicholas Metivier Gallery this month. Ventura’s gorgeous photographers are a fascinating mix between the real and the surreal, hiring actors to fill his shots and hand-painting the photographs to either add to the sets or superimpose onto the human figures. Ventura employs elements from both Italian surrealism and 20th-Century Neorealism. The effect is otherworldly and transportive. An hour spent with Ventura’s photographs is an hour spent in a different universe.

Learn more here.

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Novella’s July Art Guide

Multi-National Conglomerates Hostile Take Over of the New World Order by Lawrence Paul Yuxwelupton. Source.

It’s difficult to be anywhere in the country in July without echoes of Canada 150 ringing in your ears. This summer’s celebration is, after all, a big one. Instead of going against the grain of festivities for our monthly art guide, we’re working with Canada, in a way, by noting exhibitions this month that are solo exhibitions of or include work by incredible Indigenous artists.

ANISHINAABEG: ART & POWER (JUNE 17TH — NOVEMBER 19TH)

In the past, the Royal Ontario Museum would classify Indigenous art as cultural artefact, separate from what would be considered by fine or classical art. In this exhibition, which opened mid-June, that division is gone. Anishinaabeg artwork is displayed with detailed beadwork charting the artistic movements of the Anishinaabeg from 19th-cnetury friendship bags to the Woodlands School art movement. Co-curator and North Caribou Lake First Nations artist Saul Williams wrote descriptive labels for the artwork and recorded video discussing their symbolic and spiritual meanings.

Find out more here.

UNSETTLING: BASIL AIZERI, LORI BLONDEAU, DUORAMA, TERRANCE HOULE, LISA MYERS (JUNE 22ND — JULY 22ND)

Unsettling sets out to do exactly what you would expect it do: disturb, upset, destabilize. Through the works of five different artists and artistic groups, the exhibition aims not only to unsettle its audience, but to unsettle the land it is on and the neighbourhood it is in, which would be Scarborough, at the Doris McCarthy Gallery. Within the context of Canada 150, the artists then aim to go bigger and disrupt the clean and pretty congratulatory narratives found throughout the mainstream anniversary media. The artists will do this all through painting, photography and sculpture.

Find out more here.

MARY ANNE BARKHOUSE (JUNE 22ND — AUGUST 20TH)

Canadian jeweller and sculptor Mary Anne Barkhouse is known for her animal imagery-heavy artwork that highlights ongoing environmental and Indigenous struggles. Her current exhibition with the Koffler Gallery, titled Le Rêve aux Loups, is her first solo exhibition in Toronto. The exhibitor is comprised of sculptures and photo collages, using the realistic and the absurd to highlight themes of adaptation and persistence, regeneration and resistance.

Find out more here.

JEFF THOMAS AND NAFISEH EMADMOSTOFI  (JUNE 29TH — AUGUST 27TH)

At the Art Gallery of Mississauga this month, there are two solo exhibitions: one by Jeff Thomas, titled A Necessary Fiction: My Conversation with George Hunter and Edward S. Curtis, and the other by Nafiseh Emadmostofi, titled Burning Desire. Thomas’ exhibit is an examination of archival work by photographers who used Indigenous people in their work. Thomas deconstructs the images, changes the narrative and questions the place of such pictures in a time of self-determination and independent voices. Emadmostofi, selected from a call for graduation students from the University of Toronto, Mississauga and Sheridan College, is an award-winning Iranian artist. Her work in this exhibition is allegorical, drawing on images of the swan and burning books to touch on topical issues to spark protest but also to envision a better world.

Find out more here.

EVERY. NOW. THEN: REFRAMING NATIONHOOD (JUNE 29TH — DECEMBER 10TH 2017)

The Art Gallery of Ontario can be, in a word, traditional. And usually, just like with the ROM, I never post their exhibitions on here because they get enough press and funding as it is. However, both of these institutions have showings this month that are worth note. The AGO’s is an exploration of what it means to be Canadian right now. Artists showing include Gu Xiong, Yu Gu, Robert Houle, Meryl McMaster, Seth, Esmaa Mohamoud, Ed Pien & Shuvinai Ashoona. The exhibition looks at where Canada is from, more than 150 years ago, where it is now and where it could go, using a multitude of artists and perspectives to attempt to answer these questions.

Find out more here.

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Novella’s June Art Guide

Ahmad Moualla’s People and Power. Image source.

As we move into another summer, this time a big one for Canada, we remember to think outside of the box — to delve deeper and consider perspectives outside of our own. Our picks for art exhibitions in the month of June bring you everything from Queer intersectionality to examining Canada’s honest history and considerations on what art can do for nations at war. We ask this month that you take some time from work, from planning vacations, and reading magazines to consider, to think, to engage.

SYRIAN SYMPHONY: NEW COMPOSITIONS IN SIGHT AND SOUND (May 20th — August 13th)

The newest exhibition at the Aga Khan Gallery combines music, paintings, and multimedia installations by prominent Syrian artists. Much like a symphony, the exhibition is divided into movements, each unique but linked by overarching themes on the presence and purpose of art in conflict. Together, these artists explore the difficulties in preserving their heritage and culture, and fortitude in the face of war. Artists showing include Ahmad Moualla, Malek Jandali, and Kevork Mourad.

Find more information here.

THE BILL BURNS SHOW: PART 3 (May 27th — June 24th)

Prominent Canadian artist Bill Burns shows the third and final part in his series on truth and the art trade at MKG127 this month. In the show, Burns accompanies his watercolour paintings with goat’s milk and Gregorian Chant. Sounds intriguing, if a little confusing? Burns will also be reading from his new book on June 17th to help give insight into his career and perspective.

Find more information here.

CONTESTED LANDS: CANADA AT 150 (May 28th — June 30th)

As we grow closer to the Canada 150 celebrations, celebratory Canadian propaganda is cropping up everywhere, boasting being a nice, multicultural, and inclusive nation. While Canada certainly has its good points, this exhibition at the MLC Gallery at Ryerson is looking at those silenced and ignored in the Canadian Confederation. The exhibition uses art and artifacts from the Ryerson Special Collection and MLC Research Archives to highlight the achievements of and horrors faced by Indigenous peoples and Canadian women.

Find more information here.

QUEER LANDSCAPES, QUEER INTERSECTIONS (May 30th — June 23rd)

Just in time for Pride, the John B. Aird Gallery brings us an LGBTQ+ focused exhibition. Unlike many of the Pride parties, however, the real focus of this show is on intersectionality. Artists from across Ontario will show their works that engage with LGBTQ social issues and intersect with issues of race, class, religion, ability, and sexual and mental health. The purpose of the exhibition is to spark conversation and action that will build toward equality and diversity.

Find more information here.

DIGITAL SPHERES: CLARA BACOU (June 8th — July 15th)

English artist Clara Bacou comes to the Robert Kananaj Gallery with an exploration of the boundaries between the real and virtual, the physical and digital. Bacou uses light projection to display her digital art in a 3D way, the exhibition itself representing her own questions on the way we present ourselves online versus the people we are in the real world. If you’ve ever embellished any truths about yourself to seem more desirable on a dating app, this is probably an exhibition you should see.

Find more information here.

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