Couture Week Spring 2018: The Highlights

Isn’t it an amazing feeling when couture weeks come around? It’s as if the world comes together in peace and harmony and all of the planets align. That may be an exaggeration, but to be fair, couture weeks bring up the same feelings within the fashion community that the second coming of Christ does for the deeply religious. This season, however, marked a change for some of the usual suspects within the couture ring. It seemed like couture had been taking a very modest and simple turn for a while in terms of design. However, this season really took steps to change the entire dynamic of what modern couture could be. Many of the designers who’d fallen to the back burner of the couture world finally decided to inject a boost of much-needed life into the world of couture. Blessing us all with new inspirations and new hopes and dreams.


One of the biggest surprises this season had to be Valentino. Now Valentino may be a couture week staple, but it did end up being one of the houses that had seemed to fall into the couture rut. Before this season, Valentino felt slightly repetitive. Revisiting the regal Edwardian aesthetic that brought the brand it’s new found fame after Valentino Garavani took leave. Now, after having enough time to discover who he wants to be as a designer after Maria Grazia’s leave, Pierpaolo has spread his wings and understood full well what he wants Valentino to look like in the future. For this season’s couture collection. Piccioli turned to organic and minimal shapes to create a brilliant take on contemporary couture. Couture can often times look too dated if it isn’t milled through and thought out with every detail in mind, modern couture can end up looking quite dated or far too average to satisfy couture clientele. However, Piccioli managed to begin placing the stepping stones for modern couture. Creating simplistic and relevant designs that combine modern eye-catching design and the luxury required for beautiful couture.

Maison Margiela

John Galliano has proven himself season after season. When he first took the helm at Margiela, many wondered how Galliano’s feminine excess would translate to the Margiela runway. Four years later he’s managed to more than fill the shoes of his predecessor Martin Margiela. Galliano’s love of excess has translated perfectly to his idea of modern deconstructed couture. At this season’s artisanal collection, Galliano infused the idea of athleisure and athletic fabrics with contemporary couture silhouettes. Now everyone in the fashion community has become accustomed to Galliano’s cacophonous take on Margiela’s deconstruction, but what really surprised this season had to be the reflective athletic fabric that was used for many of the looks. The fabric, which reacted to flash photography, allowed one look to become two; in the most whimsical and colourful way possible.

Viktor & Rolf

Viktor & Rolf are Gods in the haute couture world. Their designs transcended what haute couture could be many years ago. When we look at the design duo, their archives showcased what the future of couture could be, rather than what it was at the time. This season, V&R really pulled out all the stops to create a stunning collection that’s rooted heavily in what the modern couture clients are looking for. The gorgeous 70s silhouettes pair beautifully with pastel and candy colour blocked colours. The simplistic silhouettes help further the idea that modern couture no longer has to be flashy and excessive. Instead, couture can now focus on material and quality instead of glitz and glamour. Which is the perfect way to go as the fashion world evolves and new couture clientele begin to seek out and purchase couture garments.