The requisite best movie of the year goes to these four films at Novella because we like them and we think everyone else should too. It’s the raw confidence in our ability to discern shit from shinola that carry this illustrious list across the wavelengths straight onto your screen. Nothing else.
Disclaimer: these movies may very well change your life, but not sure if for better or worse.
Set at a small girl’s schools in Virginia, The Beguiled offers up a dark and intensely female perspective of the American Civil War. When a student discovers a wounded Yankee soldier on school grounds, Mrs. Farnsworth, head mistress, agrees to take him in. At first, the women are wary of his enemy status, but soon become beguiled by his charm and good looks; his very masculinity is enough to allure. Once they accept the soldier into their lives, the household dynamic grows increasingly tense; jealously, suspicion and, ultimately, fear rule the space. The Beguiled is a variation on a theme, building upon Coppola’s films, like Lost in Translation or Marie Antoinette, that explore the psychological and emotional experiences of women in isolation. Winner of Best Director at Cannes, Coppola’s latest is not to be missed. — Rachel, Intern
Florence Pugh plays the murderous and mischievous Katherine Lester in this loose adaptation of Nikolai Leskov’s Lady Macbeth of the Mtsensk District. In William Oldroyd’s imagination, instead of a Russian estate, rural England in the 19th-century; a colder and lonelier lady of a faraway estate than even Shakespeare’s haunting and haunted Lady Macbeth. The plot is simple: Katherine is married/given to Boris, who is by all accounts a brute, by Boris’s father, Alexander, whose banal and viscid shittiness makes his son look like a charmer. Katherine is not happy. As unhappy marriages on films go, this one’s ills and death are not sickening in their own ways: there’s the requisite affair, fits of violence, and shorter periods of remorse. What truly distinguishes Oldroyd’s Lady Macbeth is Pugh’s brilliant and eerie performance. It’s difficult to either dislike or like Katherine, whose brutality matches that of her captors; she holds us captive, witnesses and accomplices to her violence. — Hoon, Managing Editor
For some, Girls Trip might seem like an unusual pick for a Best Movie pick but comedian and breakout star Tiffany Haddish performance alone is reason enough to understand why this movie made the list. There have been plenty of movies based on what happens when friends go on vacation. The only difference is this ensemble comedy actually delivers the laughs. The chemistry between the four women allows for cathartic dose of female-drive silliness and provide us with many hilarious moments. We all could use a good laugh after surviving this crazy year.
After the release of the unforgettable Tangerine in 2015, I knew that writer/director Sean Baker was one to watch for. His storytelling style came across as honest and poignant, something he maintains in this year’s release, The Florida Project. The story follows six-year-old Moonee and her mother Halley living day-to-day in a budget motel just outside of Disney World. Baker returns here with a wonderfully raw and real script, lived out flawlessly by breakout stars Brooklynn Prince and Bria Vinai as the daughter and mother, respectively. I had put this article on my Fall Movie Preview list, and I’m so glad I did. Unlike many other films exploring the state of poverty in America, this one does so without a lick of condescension or hand-wringing. It brings genuine emotion, hope and compelling characters to the table, while drawing attention to serious ongoing economic issues. See this one. I mean it. — Natasha Grodzinski, Contributor